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-I am the Head of [Lilly Music Library](https://tischlibrary.tufts.edu/our-locations/tisch-branches/lilly-music-library) at Tufts University. My academic training includes master’s degrees in library and information science from Simmons College, music with a concentration in musicology from Tufts University, as well as a bachelor of arts in music literature and performance from Northeastern University. I am also the co-founder of [Saving Ukrainian Cultural Heritage Online](https://www.sucho.org/), an initiative focused on safeguarding and preserving the digital cultural heritage of Ukraine during the Russo-Ukrainian War.
+I am the Assistant Director of [Digital Scholarship](https://tischlibrary.tufts.edu/about-library/about/staff-directory/departments/235) & [Lilly Music Library](https://tischlibrary.tufts.edu/our-locations/tisch-branches/lilly-music-library) at Tufts University. My academic training includes master’s degrees in library and information science from Simmons College, music with a concentration in musicology from Tufts University, as well as a bachelor of arts in music literature and performance from Northeastern University. I am also the co-founder of [Saving Ukrainian Cultural Heritage Online](https://www.sucho.org/), an initiative focused on safeguarding and preserving the digital cultural heritage of Ukraine during the Russo-Ukrainian War.
 
 I am interested in the exploration and application of digital humanities tools and methods in historical (music) research, and in the application of standards, including TEI and MEI, for open access research and publishing, and the use of minimal computing. I also work on nineteenth century music topics with a focus on gender, women, and performance criticism and reception. My publications include a book entitled [*The Life and Music of Teresa Carreño (1853-1917): A Guide to Research*](https://www.areditions.com/kijas-life-and-music-of-teresa-carre-o-ib041.html), and open-access projects, including [Documenting Teresa Carreño](https://documentingcarreno.org/) centered around Carreño's performance career (1863-1917) and [Rebalancing the Music Canon](https://rebalancing-music-canon.com/) that aims to make musical works by un(der)-represented people more discoverable, decenter the musical canon, and make data-driven music scholarship more diverse and inclusive. I also write about using digital humanities tools and methods to explore, visualize, and augment scholarship.