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add eae sendingv2
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tyzjames committed Aug 20, 2024
1 parent 4bdb28c commit 0cb2686
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2 changes: 1 addition & 1 deletion data/all.json

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141 changes: 141 additions & 0 deletions data/brands/electronicaudioexperiments/sendingv2.yaml
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brand: EAE
cc:
- name: Color
value: '12'
description: |
The Color knob controls the preamplifier gain and output level in tandem. This allows the user to overload the preamp and delay line elements while maintaining a consistent output volume level. This knob has three effective regions. In the first region of its rotation, the preamp adds a subtle warming effect. In the second region, the delay line begins to overload gracefully while the dry signal remains relatively clean. In the third region, both the delay
5
line and the preamp will overload with a full-bodied and clear overdrive texture. The exact onset of clipping will depend on the strength of the input signal. Note that when in Trails bypass mode, the preamp is still active. This means you can use the Color knob on its own when the delay is off. Secondary function: Volume Trim. Use this setting to adjust the output level, from -6dB to +6dB. At halfway the volume is even with the bypass level.
min: 0
max: 127
- name: Mix
value: '13'
description: This control sets the mix of dry and delayed signals, with two operational
modes. In the default PAN mode, the Mix knob functions as a crossfader. Turning
clockwise increases the level of delayed signal while decreasing the level of
the unaffected signal, or vice versa. This mode is more commonly found in rackmount
or desktop processors, and is handy if you use a parallel effects loop. In NORM
mode, the dry level is fixed and the Mix knob only affects the delay level. This
behavior is similar to a traditional stompbox.
min: 0
max: 127
- name: Feedback
value: '14'
description: This knob sets the number of repeats by controlling how much of the
delayed signal is fed back into the input. The taper is optimized to easily dial
in an infinite bed of echoes at the threshold of self-oscillation but, of course,
also capable of achieving runaway feedback and self-oscillation.
min: 0
max: 127
- name: Filter
value: '15'
description: 'This controls a dual mode filter located at the output of the delay
line. Changing the tone of the delay changes how the repeats evolve over time.
At the center position, the filter is effectively out of the circuit. Clockwise
from center engages a high pass filter and increases its cutoff frequency to attenuate
bass frequencies so that each repeat becomes successively brighter. Rotating counter-clockwise
from center engages a low pass filter and decreases its cutoff frequency to attenuate
treble frequencies for a murky sound where each repeat gets successively darker. '
min: 0
max: 127
- name: Rate
value: '16'
description: The Rate knob sets the frequency of the delay time modulation LFO,
from imperceptibly slow to low audio rates.
min: 0
max: 127
- name: 'Amount '
value: '17'
description: Unclear from the manual. Perhaps, based on a search of the PDF, "The
Feedback VCA changes the amount of delayed signal fed into the input."
min: 0
max: 127
- name: Time
value: '18'
description: 'This knob controls the delay time, smoothly adjustable from approximately
5ms to 1 second as it is turned clockwise. '
min: 0
max: 127
- name: Level Trim
value: '20'
description: "? Note 100% positive as the manual uses \"Volume Trim\" instead of
\"Level Trim,\" (p6 of manual) but seems likely it's the same thing. \nUse this
setting to adjust the output level, from -6dB to +6dB. At halfway the volume is
even with the bypass level."
min: 0
max: 127
- name: Mix Mode
value: '21'
description: 0-63 = crossfade, 64-127 = effect only
min: 0
max: 127
- name: Ramp Time
value: '21'
description: '? Seems like it is likely for "Swell time" (secondary function= in
the manual (p6): Swell Time. Set the feedback swell ramp time (when holding the
Tap footswitch) from virtually instant to very gradual. '
min: 0
max: 127
- name: Chaos
value: '24'
description: Adjusts randomization level of LFO.
min: 0
max: 127
- name: LFO Shape
value: '25'
description: "0-42 = sine\n43-85 = square \n86-127 = triangle"
min: 0
max: 127
- name: Tap Divisions
value: '26'
description: |-
0-22 = dotted eighth
23-44 = eighth
45-67 = quarter note triplet 68-89 = dotted eighth 90-111 = quarter note 112-127 = half note
min: 0
max: 127
- name: Clock Divisor
value: '27'
description: 0-63 = normal, 64-127 = half speed
min: 0
max: 127
- name: MIDI Clock Ignore
value: '89'
description: 0-63 = normal, 64-127 = ignore clock
min: 0
max: 127
- name: Tap Tempo
value: 0
description: Value > 63 is registered as a tap
min: 0
max: 127
- name: Feedback Swell
value: '97'
description: Value > 63 activates feedback swell
min: 0
max: 127
- name: Expression
value: '100'
description: ''
min: 0
max: 127
- name: Bypass
value: '102'
description: 0-63 = bypass, 64-127 = active
min: 0
max: 127
- name: Bypass Mode
value: '103'
description: 0-63 = standard, 64-127 = bypass
min: 0
max: 127

device_name: Sending v2
midi_channel:
instructions: ''
midi_clock: ''
midi_in: ''
midi_thru: ''
pc:
description: ''
phantom_power: ''
10 changes: 10 additions & 0 deletions data/mapping.json
Original file line number Diff line number Diff line change
Expand Up @@ -512,6 +512,16 @@
}
]
},
{
"name": "Electronic Audio Experiments",
"value": "electronicaudioexperiments",
"models": [
{
"name": "Sending v2",
"value": "sendingv2"
}
]
},
{
"name": "Elektron",
"value": "elektron",
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