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Emphasize ge:rewrite/@hand over preceding handShift/@new? #23
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Probably it is best to leave this as it is and fix #24 instead. |
I'm a bit confused, can you please elaborate some and make clearer what
Is this referring to the second example/image (don't see letter h in the first one except in 'Weibsgeschlecht')
Doesn't |
@wissenbach , thanks for hinting me on some errors in the description. I have edited it so that it may be less confusing. After all I think that we should keep the current rendering, based on the preceding |
@gerritbruening , thanks for the clarification. Ideally, the retracing/rewriting inscription in the transcript should be covering the original inscription. So for ink rewriting pencil: Barring that, the second best option would be your original suggestion, to have the rewrite hand and material determine the styling of both inscriptions (give preference to the |
Sure, this would be ideal! Would it even be possible to combine serif and non-serif font for cases where autograph inscription is retraced by someone else or where scribal inscription is retraced by Goethe? I presume this would be complicated. |
Right now, all retraced passages are rendered in double script.
Test case:
The styling of the double script is based on the preceding
/handShift/@new
rather than onge:rewrite/@hand
. In the following example (1) a passage is retraced that is originally written by Goethe in pencil. Accordingly, the double script is rendered in serif typeface and in grey:Example 1 (from 2 H, p 61)
The manuscript inscription, however, which corresponds to
ge:rewrite/@hand
(Goethe, ink) is more prominent (as is mostly the case, especially when it is written ink) than the retraced inscription which corresponds to/handShift/@new
(Goethe, blurred pencil). Thus, it may be desired to render these passages according toge:rewrite/@hand
(serif font, black for Goethe, ink).However, the opposite case that the retraced inscription is more prominent than the retrancing inscription is also quite common. In the following example 2 the lower loop of the last letter h in "köstlich" is retraced, but the h is more prominent than the fine correction:
Example 2 (from 2 H, p. 11)
Now, if "Vom Leibe mir" etc. (example 1) is rendered as written in ink, the "h" (example 2) will be rendered as written in pencil correspondingly which would be confusing.
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