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<h4 class="author" property="dc:created" content="2011-06-07T15:35:15">June 7, 2011</h4>
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<li>Dear Ian, thank you for taking the time to respond. ... <a href="/and/who-makes-standards#comment-333" title="full comment on: Who gets to write the web: the power struggles around the standards">read more</a></li>
<li>Thanks for your insight that it is not just programmers ... <a href="/and/hackers-culture-and-the-fear-of-wysiwyg#comment-320" title="full comment on: Hacker Culture and the Fear of WYSIWYG">read more</a></li>
<li>Thanks for the link, Martín. I agree that hybrid solutions ... <a href="/and/hackers-culture-and-the-fear-of-wysiwyg#comment-318" title="full comment on: Hacker Culture and the Fear of WYSIWYG">read more</a></li>
<li>I would prefer it to tell me Everything is OK <a href="/and/ufo2otf-makes-otfs-webfonts-and-css-from-ufo#comment-272" title="full comment on: ufo2otf Makes OTF’s, Webfonts and CSS From UFO’s">read more</a></li>
<li>This also has implications for sharing tools, which for me ... <a href="/and/48-hours-of-writing-stylesheets-with-etherpad-and-a-gong#comment-266" title="full comment on: 48 Hours of Writing Stylesheets with Etherpad and a Gong">read more</a></li>
<li>For a much more nuanced critique of Helvetica and similar ... <a href="/and/no-one-starts-from-scratch-type-design-and-the-logic-of-the-fork#comment-248" title="full comment on: No-one Starts From Scratch: Type Design and the Logic of the Fork">read more</a></li>
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<h4 property="mt:entry_title">Judging art</h4>
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<iframe src="http://player.vimeo.com/video/21128026?portrait=0" width="601" height="338" frameborder="0"></iframe>
<p><a href="http://www.stroom.nl/" title="Stroom Den Haag">Stroom</a> is the local arts body in the city I live in. The city is not very big. To keep cultural live vibrant, the city government tries hard to stimulate the art scene, so that not all artists move to more famous cities. As part of this, for the second time I will be part of <a href="http://www.stroom.nl/paginas/pagina.php?pa_id=9842884" title="Stroom Den Haag - Stroom Invest Programma 2011">a program that introduces artists to curators</a>.</p>
<p>I remember the director of Stroom explaining to us, how do we deal with a curator. We should not act too self-assured. Rather, we present an open ended view of our work. Also, we must not expect these curators to make exhibitions with us. We get taught to be subservient.</p>
<p>Well I'd rather be inquisitive. Once again, I'll spend three days talking to art professionals. I'm not going to try and act spontaneous. This time I'll be keeping notes and I'll share them here. I hope we can answer this question: can the world of contemporary art be fixed?</p>
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<h4 class="comments-header">7 Comments</h4>
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<div property="mt:comment_id" content="58" id="comment-58" resource="/and/judging-art#comment-58" class="comment">
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<p>
Good choice of words. I like inquisitive better than critical.
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by <a property="dc:creator" href="http://i.liketightpants.net/authors#tellyou">tellyou</a> - <a href="/and/judging-art#comment-58"><span property="dc:created" content="2011-06-07T21:57:01">June 7, 2011 9:57 PM</span></a><br />
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<div property="mt:comment_id" content="59" id="comment-59" resource="/and/judging-art#comment-59" class="comment">
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<p>
At the <a href="http://www.stroom.nl/activiteiten/lezing_symposium.php?l_id=4383371" title="Stroom - Stroom Invest Conferentie 2011">public discussion</a>, nobody wants to be called a curator.
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by <a property="dc:creator" href="http://i.liketightpants.net/authors#tellyou">tellyou</a> - <a href="/and/judging-art#comment-59"><span property="dc:created" content="2011-06-07T22:38:19">June 7, 2011 10:38 PM</span></a><br />
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<p>
There is the director of the <a href="http://www.artacademy.ps/">Palestinian Academy of Art</a>, Khaled Hourani. It’s weird that I am going to be talking with someone who lives in a warzone. His concerns must be different from mine and I hope to learn from that. I am curious what he thinks about all the works made about the conflict, by foreign artists. I’ve seen so much art on the subject of the Israel Palestina conflict. When it’s made by outsiders, it usually doesn’t go beyond telling me what I already know through the news.
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by <a property="dc:creator" href="http://i.liketightpants.net/authors#tellyou">tellyou</a> - <a href="/and/judging-art#comment-66"><span property="dc:created" content="2011-07-26T23:01:46">July 26, 2011 11:01 PM</span></a><br />
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<div property="mt:comment_id" content="67" id="comment-67" resource="/and/judging-art#comment-67" class="comment comment-reply">
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<p>
Khaled also narrated on his project <a href="http://picassoinpalestine.blogspot.com/">Picasso in Palestine</a>. It is very common to take the structure of the art institution as departure point nowadays, but ââ¬Ëinstitutional critique’ hardly ever gets as poignant as this: the project depicts the struggle necessary to get a Picasso into Palestine—a loan from the Van Abbemuseum, who are partners in this project. How do you manage to get a hugely expensive object like a Picasso into a war zone and show it?
</p>
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<img src="/and/assets/that/are/pictures/of/author/tellyou.png" width="18" height="18" />
by <a property="dc:creator" href="http://i.liketightpants.net/authors#tellyou">tellyou</a> - <a href="/and/judging-art#comment-67"><span property="dc:created" content="2011-07-26T23:02:53">July 26, 2011 11:02 PM</span></a><br />
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<div property="mt:comment_id" content="68" id="comment-68" resource="/and/judging-art#comment-68" class="comment comment-reply">
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<p>
The most classical curator seems to be Bram van Damme. I am curious to ask him about the <a href="http://www.netwerk-art.be/en/activities/exhibitions/526">Radical Autonomy exhibition</a>. It baffles me that in the networked era the concept of autonomy still gets value attached to it… the impossible suggestion of existing apart from others… but the concept <a href="http://theautonomyproject.ning.com/">keeps popping up</a><a href="http://postautonomia.wordpress.com/">again and again</a>.
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by <a property="dc:creator" href="http://i.liketightpants.net/authors#habitus">habitus</a> - <a href="/and/judging-art#comment-68"><span property="dc:created" content="2011-07-26T23:06:14">July 26, 2011 11:06 PM</span></a><br />
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<div property="mt:comment_id" content="63" id="comment-63" resource="/and/judging-art#comment-63" class="comment">
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<p>
The art world to me seems like the world of fashion, except with less money and less power.
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by <a property="dc:creator" href="http://i.liketightpants.net/authors#glit">glit</a> - <a href="/and/judging-art#comment-63"><span property="dc:created" content="2011-06-08T08:06:55">June 8, 2011 8:06 AM</span></a><br />
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<div property="mt:comment_id" content="64" id="comment-64" resource="/and/judging-art#comment-64" class="comment">
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<p>There are several long standing clichees about the artist. She or he is a free spirit, who, in isolation (preferably on an attic), creates a proper universe from which spring works (objects!) that testify to a singular vision. </p>
<p>In actuality, interesting works only get produced in a scene where likeminded people can meet-likeminded being key here: we are like each other, inform one and other and, through our exchange, at least partly, become each other.</p>
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by <a property="dc:creator" href="http://i.liketightpants.net/authors#jenseits">jenseits</a> - <a href="/and/judging-art#comment-64"><span property="dc:created" content="2011-06-08T11:33:18">June 8, 2011 11:33 AM</span></a><br />
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<dt><a href="/and/hybrid-publishing-back-to-the-future-publishing-theses-at-the-kabk">Hybrid Publishing Back To The Future Publishing Theses at the KABK</a></dt>
<dd>May 10, 2018 10:07 AM</dd>
<dt><a href="/and/finding-red-letterboxes-in-belgium">Finding Red Letterboxes In Belgium</a></dt>
<dd>May 10, 2018 10:05 AM</dd>
<dt><a href="/and/the-underwater-screen-or-lessons-from-wordperfect">The Underwater Screen Or Lessons From Wordperfect </a></dt>
<dd>June 10, 2014 6:21 PM</dd>
<dt><a href="/and/hackers-culture-and-the-fear-of-wysiwyg">Hacker Culture and the Fear of WYSIWYG</a></dt>
<dd>May 22, 2014 11:40 PM</dd>
<dt><a href="/and/graphic-design-is-a-nostalgic-field"> Graphic Design Is A Nostalgic Field </a></dt>
<dd>February 19, 2014 7:02 PM</dd>
<dt><a href="/and/who-makes-standards">Who gets to write the web: the power struggles around the standards</a></dt>
<dd>November 20, 2013 9:08 PM</dd>
<dt><a href="/and/ufo2otf-makes-otfs-webfonts-and-css-from-ufo">ufo2otf Makes OTF’s, Webfonts and CSS From UFO’s</a></dt>
<dd>November 5, 2013 8:57 PM</dd>
<dt><a href="/and/no-one-starts-from-scratch-type-design-and-the-logic-of-the-fork">No-one Starts From Scratch: Type Design and the Logic of the Fork</a></dt>
<dd>October 9, 2013 8 PM</dd>
<dt><a href="/and/i-need-my-generic-font-medicine">I Need My Generic Font Medicine</a></dt>
<dd>October 9, 2013 7:55 PM</dd>
<dt><a href="/and/48-hours-of-writing-stylesheets-with-etherpad-and-a-gong">48 Hours of Writing Stylesheets with Etherpad and a Gong</a></dt>
<dd>October 8, 2013 8:06 PM</dd>
</dl>
<h4>Latest Comments</h4>
<ul>
<li><strong>Sujon Ahmad:</strong> Keep it up <a href="/and/release-early-release-often-version-numbers-for-typefaces#comment-338" title="full comment on: Release Early Release Often Version Numbers For Typefaces">read more</a></li>
<li><strong>Carly Durocher:</strong> I really like the stylized penrose triangle would you mind ... <a href="/and/illustration#comment-337" title="full comment on: Illustration">read more</a></li>
<li><strong>michaël:</strong> The recent evolution of MediaWiki is worth mentioning. One of ... <a href="/and/hackers-culture-and-the-fear-of-wysiwyg#comment-336" title="full comment on: Hacker Culture and the Fear of WYSIWYG">read more</a></li>
<li><strong>jaromil:</strong> Check the Linux Action Show on Tomb https://www.dyne.org/software/tomb there can ... <a href="/and/hackers-culture-and-the-fear-of-wysiwyg#comment-335" title="full comment on: Hacker Culture and the Fear of WYSIWYG">read more</a></li>
<li><strong>Ian Hickson:</strong> The member list is the one on the charter (it's ... <a href="/and/who-makes-standards#comment-334" title="full comment on: Who gets to write the web: the power struggles around the standards">read more</a></li>
<li><strong>habitus:</strong> Dear Ian, thank you for taking the time to respond. ... <a href="/and/who-makes-standards#comment-333" title="full comment on: Who gets to write the web: the power struggles around the standards">read more</a></li>
<li><strong>Ian Hickson:</strong> The part about the WHATWG membership is wrong. The WHATWG ... <a href="/and/who-makes-standards#comment-332" title="full comment on: Who gets to write the web: the power struggles around the standards">read more</a></li>
<li><strong>Erik:</strong> Good points. Also: writing UI is hard. <a href="/and/the-underwater-screen-or-lessons-from-wordperfect#comment-327" title="full comment on: The Underwater Screen Or Lessons From Wordperfect ">read more</a></li>
<li><strong>nike shox:</strong> do not want to be t basket vans femme pas ... <a href="/and/no-one-starts-from-scratch-type-design-and-the-logic-of-the-fork#comment-324" title="full comment on: No-one Starts From Scratch: Type Design and the Logic of the Fork">read more</a></li>
<li><strong>Tolan Blundell:</strong> As someone who's written a moderately complex CMS from scratch ... <a href="/and/hackers-culture-and-the-fear-of-wysiwyg#comment-323" title="full comment on: Hacker Culture and the Fear of WYSIWYG">read more</a></li>
</ul>
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