-
Notifications
You must be signed in to change notification settings - Fork 2
/
i-like-ziggy-over-zarathustra.html
380 lines (263 loc) · 24.3 KB
/
i-like-ziggy-over-zarathustra.html
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
<!DOCTYPE html>
<html>
<head>
<meta charset="utf-8">
<meta name="viewport" content="width=510">
<link rel="stylesheet" href="/and/style/in/reset.css" type="text/css" />
<link rel="stylesheet" href="/and/style/in/grid.css" type="text/css" />
<link rel="stylesheet" type="text/css" href="/and/style/in/habitus.css" />
<link rel="start" href="/and/" title="Home" />
<link rel="alternate" type="application/atom+xml" title="Recent Entries" href="/and/feed/us/recent_entries.xml" />
<script type="text/javascript" src="/and/scripts/being/jquery-1.11.0.min.js"></script>
<script type="text/javascript" src="/and/scripts/being/scripts.js"></script>
<title>I like tight pants and ziggy over zarathustra</title>
<meta property="og:title dc:title" content="I like tight pants and ziggy over zarathustra"/>
<meta property="og:type" content="article"/>
<meta property="og:url" content="http://i.liketightpants.net/and/i-like-ziggy-over-zarathustra"/>
<meta property="og:image" content="http://i.liketightpants.net/and/assets/scaled/to/1037/high/and/called/bowie.jpg"/>
<meta property="og:site_name" content="I like tight pants and mathematics"/>
<meta property="og:description dc:description"
content="My hypothesis is that David Bowie succeeded where Friedrich Nietzsche failed."/>
<meta name="description"
content="My hypothesis is that David Bowie succeeded where Friedrich Nietzsche failed."/>
<meta property="fb:admins" content="1488294875"/>
<meta property="mt:entry_basename" content="i-like-ziggy-over-zarathustra" />
<meta property="dc:modified" content="2012-01-15T23:42:39" />
</head>
<body>
<div id="header" class="container_7">
<div class="grid_2">
<h1><a href="/and/">i . like tight pants . net</a></h1>
</div>
<div class="grid_3">
<ul>
<li ><a href="/and/hybrid-publishing-back-to-the-future-publishing-theses-at-the-kabk">latest</a></li>
<li><a href="/and/about">about</a></li>
<li ><a href="/and/archives">index</a></li>
</ul>
</div>
<div class="grid_2">
<p class="byline" id="recent_entries">New entries published Monday and Thursday, 22:00 CET (<a href="/and/feed/us/recent_entries.xml">RSS</a>)</p>
</div>
</div>
<div id="content" class="container_7">
<div class="sidebar grid_1">
<img src="/and/assets/that/are/pictures/of/author/habitus.png" style="width:100px;height:100px;" alt="" />
<h4 class="author" property="dc:created" content="2012-01-08T15:43:10">January 8, 2012</h4>
<h4 class="author">by <span property="dc:creator">habitus</span></h4>
<p> </p>
<hr />
<h4>Other articles by habitus</h4>
<dl>
<dt><a href="/and/hackers-culture-and-the-fear-of-wysiwyg">Hacker Culture and the Fear of WYSIWYG</a></dt>
<dd>May 22, 2014 11:40 PM</dd>
<dt><a href="/and/who-makes-standards">Who gets to write the web: the power struggles around the standards</a></dt>
<dd>November 20, 2013 9:08 PM</dd>
<dt><a href="/and/no-one-starts-from-scratch-type-design-and-the-logic-of-the-fork">No-one Starts From Scratch: Type Design and the Logic of the Fork</a></dt>
<dd>October 9, 2013 8 PM</dd>
<dt><a href="/and/belgian-newspapers">Belgian Newspapers</a></dt>
<dd>March 29, 2013 9:17 PM</dd>
<dt><a href="/and/judging-art">Judging art</a></dt>
<dd>June 7, 2011 3:35 PM</dd>
</dl>
<h4>habitus’s comments</h4>
<ul>
<li>Dear Ian, thank you for taking the time to respond. ... <a href="/and/who-makes-standards#comment-333" title="full comment on: Who gets to write the web: the power struggles around the standards">read more</a></li>
<li>Thanks for your insight that it is not just programmers ... <a href="/and/hackers-culture-and-the-fear-of-wysiwyg#comment-320" title="full comment on: Hacker Culture and the Fear of WYSIWYG">read more</a></li>
<li>Thanks for the link, Martín. I agree that hybrid solutions ... <a href="/and/hackers-culture-and-the-fear-of-wysiwyg#comment-318" title="full comment on: Hacker Culture and the Fear of WYSIWYG">read more</a></li>
<li>I would prefer it to tell me Everything is OK <a href="/and/ufo2otf-makes-otfs-webfonts-and-css-from-ufo#comment-272" title="full comment on: ufo2otf Makes OTF’s, Webfonts and CSS From UFO’s">read more</a></li>
<li>This also has implications for sharing tools, which for me ... <a href="/and/48-hours-of-writing-stylesheets-with-etherpad-and-a-gong#comment-266" title="full comment on: 48 Hours of Writing Stylesheets with Etherpad and a Gong">read more</a></li>
<li>For a much more nuanced critique of Helvetica and similar ... <a href="/and/no-one-starts-from-scratch-type-design-and-the-logic-of-the-fork#comment-248" title="full comment on: No-one Starts From Scratch: Type Design and the Logic of the Fork">read more</a></li>
<li>A strictly generative approach to typesetting is of course limiting ... <a href="/and/i-need-my-generic-font-medicine#comment-245" title="full comment on: I Need My Generic Font Medicine">read more</a></li>
<li>Well, at least you managed to download software that also ... <a href="/and/it-might-be-a-unix-sin-but-i-would-like-you-to-add-dot-t-x-t-as-the-extension-of-your-readme-file#comment-219" title="full comment on: It Might Be a Unix Sin But I Would Like You to Add .txt As the Extension of Your README file">read more</a></li>
<li>At the event in the Library, they mainly highlight the ... <a href="/and/belgian-newspapers#comment-189" title="full comment on: Belgian Newspapers">read more</a></li>
<li>The public domain day highlighted work of authors that have ... <a href="/and/belgian-newspapers#comment-188" title="full comment on: Belgian Newspapers">read more</a></li>
</ul>
<hr />
<h4>Other writers</h4>
<ul>
<li>glit</li>
<li>jenseits</li>
<li>habitus</li>
<li>tellyou</li>
<li>baseline</li>
<li>bnf</li>
</ul>
</div>
<div class="post grid_5">
<p class="byline">
<a href="/and/designer-drugs">Previous</a>
/ <a href="/and/hybrid-publishing-back-to-the-future-publishing-theses-at-the-kabk">Next</a>
</p>
<div class="article grid_3 alpha omega suffix_2">
<h4 property="mt:entry_title">Ziggy over Zarathustra</h4>
<article property="mt:entry_id" content="39" class="entry" id="entry-39">
<p>My hypothesis is that David Bowie succeeded where Friedrich Nietzsche failed.</p>
<p>20th century musicians like Bowie and Prince can be seen as to exemplify Nietzsche’s ideal of the ‘new philosopher’. They combine intellectual and spiritual lyrics with unprecedented style and music. Through means of mass communication and mechanical reproduction, their work has been able to resonate with an audience on a large scale. and take part in defining the cultural landscape.</p>
<p>In visual arts, Andy Warhol can be seen as such a new philosopher who shares recognition among artists, scholars, and the general cultural public. Indeed, Arthur C. Danto points to Warhol as the moment where art turns into philosophy.</p>
<p>In the present day, the means of reproduction and dissemination have shifted again because of the digital revolution.</p>
<p>Learning from Bowie, one could figure out what it was that made him so successful in articulating his sensibilities, and how his methodologies would translate to contemporary modes of production.</p>
<p>The goal is an art/design practice which:</p>
<ul>
<li>takes place on the nexus of pop culture and institutionalised art</li>
<li>is at the nexus of private introspection and public dissemination</li>
<li>readily explores all available technology in order to do so.</li>
</ul>
<p id="jennyholzer">Two more examples come to mind: Jenny Holzer, whose truisms always precipitate on the edge between worn clichés and individual confessions, and who claims public space through all media for these inward looking statements.</p>
<p>And Prince. Prince, when recording the vocals for the Sign o’ the times album, would do so in the control room of the studio, sending away all engineers after they prepared the session, leaving him alone with the microphone to sing. I am struck by the contrast between this highly inward looking ritual, and its imprint as an artifact that is reproduced literally millions of times.</p>
<h2>1: Why are Bowie and Nietzsche similar?</h2>
<p>In the early 1970ies David Bowie starts to refer to Friedrich Nietzsche in his lyrics, on both his albums ‘the Man Who Sold the World’ and ‘Hunky Dory’. In the song Quicksand he sings: I’m not a prophet or a stone age man, just a mortal with potential of a superman’. And: ‘Should I kiss the viper’s fang, and herald loud the death of man?’</p>
<p>The direct successor to these records, the 1972 ‘the Rise and Fall of Ziggy Stardust and the Spiders from Mars’ seems to forego Nietzsche references for images of rock stardom. </p>
<p>In a way, though, this album is much more Nietzschean than its predecessors. </p>
<p>The narrative of a rockstar from space making it on earth before his eventual fall, can be seen as a more catchy instance of the supermen of the previous records. Moreover, the work can be directly compared to Nietzsche’s ‘Also sprach Zarathustra’ in which a prophet comes down from his cave to do his teachings to the public.</p>
<p>Both works can be read as thinly veiled autobiographies, where the choice of an unusual medium verse (Nietzsche) and rock (Bowie) allows the author to put in a lot of his ideas and fears and aspirations, that might otherwise have come across as megalomania or sacrilege. The process of mystification through the invention of the characters of Ziggy and Zarathustra allows the authors to take the freedom to reinvent themselves. Bowie later said: ‘it was like rewriting myself, really’. </p>
<h2>2: Why are Bowie and Nietzsche different?</h2>
<p>When looking back on the Ziggy project Bowie stresses the aspect of embracing the present:</p>
<p>ââ¬ÅWriters like George Steiner had nailed the sexy term post-culture and it seemed a jolly good idea to join up the dots for rock. The main platform would be, other than shoes, ‘we are the future, now’ and the one way of celebrating that was to create it by the only means at our disposal. With, of course, a rock ‘n’ roll band.ââ¬Â</p>
<p>For Bowie the future was now. Whereas for Nietzsche the future was still clearly in the future. After writing Zarathustra he had conceded that his philosophy would not be read and appreciated in his own time. His subsequent book ‘Jenseits von gut und böse’ has as its subtitle: prelude to a philosophy of the future. He also thinks it will not be him that is going to fulfill philosophy’s potential. He sketches the need for ‘new philosophers’: ‘in forerunners, in men of the future, who in the present shall fix the constraints and fasten the knots which will compel millenniums to take NEW paths’.</p>
<p>Man of the future, acting in the present. An apt description of Ziggy.</p>
<p>The difference in self-image mirrors the difference in reception by their contemporaries. Bowie managed to find a massive crowd, Nietzsche never did during his lifetime. And although both men went through difficulties following the release of their seminal works, Bowie ended up on top. Nietzsche went insane.</p>
<h2>3: Why could Bowie do what Nietzsche could not?</h2>
<p>That Nietzsche had to leave for the future, what Bowie could achieve in his own time, can be attributed to several factors.</p>
<p>In the first place, Nietzsche was alone. And nobody can do anything alone.</p>
<p>We have already touched on the enabling role of modern mass media. This for me is exemplified by by the contrast between the highly inward looking ritual of the recording session, and its imprint as an artifact (the record) that is meant to be reproduced literally millions of times. Prince, when recording the vocals for the Sign o’ the times album, would do so in the control room of the studio, sending away all engineers after they prepared the session, leaving him alone with the microphone to sing. </p>
<p>Yet there is another important aspect: the rise of interdisciplinary practice.</p>
<p>Both men possessed (and in Bowie’s case still possess) a range of skills.</p>
<p>Bowie was skilled both with words and with music, and had experience as an actor. With the Ziggy project he added his own talents to these of a host of others in a decidedly transdisciplinary endeavour. Bowie contributed songs, words, voice and looks. The musicians, the producer and the engineer contributed further to the sound. The photographic look was crafted by Mick Rock, the suits were designed by a Japanese fashion designer, and even Bowie’s hair style was conceived especially for him by his hairdresser. The early shows were inspired by the ‘Exploding plastic inevitable’ multi media shows Warhol made with The Velvet Underground. The shows featured elaborate set designs, projections and a mime group.</p>
<p>Nietzsche apparently had a broad range of talents and interests as well. He was quite musical and wrote Lieder. Next to that, ‘Also Sprach Zarathustra’ is full of references to dance. In her book: ‘Nietzsche’s Dancers: Isadora Duncan, Martha Graham, and the Revaluation of Christian Values’ Kimerer L. LaMothe argues that these references should not be seen as metaphors: dance was important to Nietzsche in its own right.</p>
<p>In his work, however, there was no way yet for these different media to fruition. It is just language that has to pull it off.</p>
<p>The world just wasn’t transdisciplinary yet in the 19th century. It would take the 20th century avant-garde to change that.</p>
<p>A question I would like to ask is if language alone could ever suffice for the kind of questions Bowie and Nietzsche were asking. There is a maniacal element to their thinking which I suspect can only really be sublimated in a performative setting. I know for my self, at least, that I talk better when I perform.</p>
</article>
<h4 class="comments-header">1 Comments</h4>
<div id="comments" class="comments">
<div class="comments-content">
<div property="mt:comment_id" content="166" id="comment-166" resource="/and/i-like-ziggy-over-zarathustra#comment-166" class="comment">
<div class="comment-editor" property="mt:comment_text">
<p>
Hi,
Thank you for the comment on my blog, yours is really cool too, but there is a problem I can't see the images, is it my browser ? I'm using Google Chrome
Hope to see you soon,
Kiss
Sonia
</p>
</div>
<p class="byline" >
by <a property="dc:creator" href="http://www.mutuelle-des-animaux.com">mutuelle animale</a> - <a href="/and/i-like-ziggy-over-zarathustra#comment-166"><span property="dc:created" content="2012-05-30T13:45:29">May 30, 2012 1:45 PM</span></a><br />
<a title="Reply" href="javascript:void(0);" onclick="mtReplyCommentOnClick(166, 'mutuelle animale')">Reply</a>
</p>
</div>
<div class="comments-parent-container" style="margin-left: 20px;">
</div>
<a title="Reply" href="#reply">Reply</a>
</div>
<div class="comments-open" id="comments-open">
<h4 class="comments-open-header">Leave a comment</h4>
<div class="comments-open-content">
<div id="comment-greeting"></div>
<form method="post" action="/comments.cgi">
<input type='hidden' name='csrfmiddlewaretoken' value='M2aY9E6yyyGjWavmKLP2VkQNn53ejY7k' />
<input id="id_parent" name="parent" type="hidden" />
<input id="id_entry" name="entry" type="hidden" value="39" />
<div id="comments-open-data">
<div id="comment-form-name">
<div class="alpha grid_1"><label for="id_author" class="span-4">Name</label></div>
<div class="omega grid_2"><input id="id_author" maxlength="300" name="author" required="required" size="30" type="text" /></div>
</div>
<div id="comment-form-email">
<div class="alpha grid_1"><label for="id_email" class="span-4">Email address</label></div>
<div class="omega grid_2"><input id="id_email" maxlength="381" name="email" required="required" size="30" type="email" /></div>
</div>
<div id="comment-form-url">
<div class="alpha grid_1"><label for="id_url" class="span-4">URL</label></div>
<div class="omega grid_2"><input id="id_url" maxlength="765" name="url" size="30" type="url" /></div>
</div>
</div>
<div id="comment-form-reply" style="display:none">
<input type="checkbox" id="comment-reply" name="comment_reply" value="" onclick="mtSetCommentParentID()" />
<label for="comment-reply" id="comment-reply-label"></label>
</div>
<div id="comments-open-text">
<label for="id_text">Text:</label><br />
<p class="byline">For formatting your post, you can use html tags like <p> and <br />. Whitespace for now is eaten up, like in HTML. we are sorry—we will have a more friendly commenting option in place shortly!</p>
<textarea cols="40" id="id_text" name="text" required="required" rows="15" style="width:100%">
</textarea>
<!-- <textarea id="comment-text" name="text" rows="15" style="width:100%;" onfocus="mtCommentFormOnFocus()"></textarea> -->
</div>
<p class="byline" id="comments-open-license">By submitting your comment, you agree to license it under the <a href="http://creativecommons.org/licenses/by-sa/3.0/">Creative Commons Attribution Share-Alike license</a>, the same license used for the text of the blog.</p>
<div id="comments-open-captcha">
<div class="alpha grid_1"><label for="id_captcha_code">Anti-spam: What is the last name of David?</label></div>
<div class="omega grid_2"><input id="id_captcha_code" name="captcha_code" required="required" size="30" type="text" /></div>
</div>
<div id="comments-open-footer">
<!-- <input type="submit" accesskey="v" name="preview_button" id="comment-preview" value="Preview" onclick="this.form.preview.value='1';" /> -->
<input type="submit" accesskey="s" name="post" id="comment-submit" value="Submit" />
</div>
</form>
</form>
</div>
</div>
</div><!-- / comments -->
</div> <!-- / article grid_3 -->
<hr />
</div> <!-- / post grid_5-->
<div class="sidebar grid_1">
<h4>Latest articles</h4>
<dl>
<dt><a href="/and/hybrid-publishing-back-to-the-future-publishing-theses-at-the-kabk">Hybrid Publishing Back To The Future Publishing Theses at the KABK</a></dt>
<dd>May 10, 2018 10:07 AM</dd>
<dt><a href="/and/finding-red-letterboxes-in-belgium">Finding Red Letterboxes In Belgium</a></dt>
<dd>May 10, 2018 10:05 AM</dd>
<dt><a href="/and/the-underwater-screen-or-lessons-from-wordperfect">The Underwater Screen Or Lessons From Wordperfect </a></dt>
<dd>June 10, 2014 6:21 PM</dd>
<dt><a href="/and/hackers-culture-and-the-fear-of-wysiwyg">Hacker Culture and the Fear of WYSIWYG</a></dt>
<dd>May 22, 2014 11:40 PM</dd>
<dt><a href="/and/graphic-design-is-a-nostalgic-field"> Graphic Design Is A Nostalgic Field </a></dt>
<dd>February 19, 2014 7:02 PM</dd>
<dt><a href="/and/who-makes-standards">Who gets to write the web: the power struggles around the standards</a></dt>
<dd>November 20, 2013 9:08 PM</dd>
<dt><a href="/and/ufo2otf-makes-otfs-webfonts-and-css-from-ufo">ufo2otf Makes OTF’s, Webfonts and CSS From UFO’s</a></dt>
<dd>November 5, 2013 8:57 PM</dd>
<dt><a href="/and/no-one-starts-from-scratch-type-design-and-the-logic-of-the-fork">No-one Starts From Scratch: Type Design and the Logic of the Fork</a></dt>
<dd>October 9, 2013 8 PM</dd>
<dt><a href="/and/i-need-my-generic-font-medicine">I Need My Generic Font Medicine</a></dt>
<dd>October 9, 2013 7:55 PM</dd>
<dt><a href="/and/48-hours-of-writing-stylesheets-with-etherpad-and-a-gong">48 Hours of Writing Stylesheets with Etherpad and a Gong</a></dt>
<dd>October 8, 2013 8:06 PM</dd>
</dl>
<h4>Latest Comments</h4>
<ul>
<li><strong>Sujon Ahmad:</strong> Keep it up <a href="/and/release-early-release-often-version-numbers-for-typefaces#comment-338" title="full comment on: Release Early Release Often Version Numbers For Typefaces">read more</a></li>
<li><strong>Carly Durocher:</strong> I really like the stylized penrose triangle would you mind ... <a href="/and/illustration#comment-337" title="full comment on: Illustration">read more</a></li>
<li><strong>michaël:</strong> The recent evolution of MediaWiki is worth mentioning. One of ... <a href="/and/hackers-culture-and-the-fear-of-wysiwyg#comment-336" title="full comment on: Hacker Culture and the Fear of WYSIWYG">read more</a></li>
<li><strong>jaromil:</strong> Check the Linux Action Show on Tomb https://www.dyne.org/software/tomb there can ... <a href="/and/hackers-culture-and-the-fear-of-wysiwyg#comment-335" title="full comment on: Hacker Culture and the Fear of WYSIWYG">read more</a></li>
<li><strong>Ian Hickson:</strong> The member list is the one on the charter (it's ... <a href="/and/who-makes-standards#comment-334" title="full comment on: Who gets to write the web: the power struggles around the standards">read more</a></li>
<li><strong>habitus:</strong> Dear Ian, thank you for taking the time to respond. ... <a href="/and/who-makes-standards#comment-333" title="full comment on: Who gets to write the web: the power struggles around the standards">read more</a></li>
<li><strong>Ian Hickson:</strong> The part about the WHATWG membership is wrong. The WHATWG ... <a href="/and/who-makes-standards#comment-332" title="full comment on: Who gets to write the web: the power struggles around the standards">read more</a></li>
<li><strong>Erik:</strong> Good points. Also: writing UI is hard. <a href="/and/the-underwater-screen-or-lessons-from-wordperfect#comment-327" title="full comment on: The Underwater Screen Or Lessons From Wordperfect ">read more</a></li>
<li><strong>nike shox:</strong> do not want to be t basket vans femme pas ... <a href="/and/no-one-starts-from-scratch-type-design-and-the-logic-of-the-fork#comment-324" title="full comment on: No-one Starts From Scratch: Type Design and the Logic of the Fork">read more</a></li>
<li><strong>Tolan Blundell:</strong> As someone who's written a moderately complex CMS from scratch ... <a href="/and/hackers-culture-and-the-fear-of-wysiwyg#comment-323" title="full comment on: Hacker Culture and the Fear of WYSIWYG">read more</a></li>
</ul>
</div>
</div>
<div id="bar"> </div>
<!-- Piwik, Open Source Analytics,
let’s not give Google more data then necessary! Eric -->
<script type="text/javascript">
var pkBaseURL = (("https:" == document.location.protocol) ? "https://var.schr.fr/piwik/" : "http://var.schr.fr/piwik/");
document.write(unescape("%3Cscript src='" + pkBaseURL + "piwik.js' type='text/javascript'%3E%3C/script%3E"));
</script><script type="text/javascript">
try {
var piwikTracker = Piwik.getTracker(pkBaseURL + "piwik.php", 2);
piwikTracker.trackPageView();
piwikTracker.enableLinkTracking();
} catch( err ) {}
</script><noscript><p><img src="http://var.schr.fr/piwik/piwik.php?idsite=2" style="border:0" alt="" /></p></noscript>
<!-- End Piwik Tracking Code -->
<!--[if !(lt IE 8)]><!-->
<script type="text/javascript">
(function(){var e=document.createElement("script");e.type="text/javascript";e.async=true;e.src=document.location.protocol+"//d1agz031tafz8n.cloudfront.net/thedaywefightback.js/widget.min.js";var t=document.getElementsByTagName("script")[0];t.parentNode.insertBefore(e,t)})()
</script>
<!--<![endif]-->
</body>
</html>