notebooks/rag_experiments.ipynb

{
 "cells": [
  {
   "cell_type": "code",
   "execution_count": 4,
   "id": "9fbd7bbe-145f-4e58-a874-b005dbed225c",
   "metadata": {},
   "outputs": [],
   "source": [
    "import pandas as pd\n",
    "import json\n",
    "import logging\n",
    "from tqdm.auto import tqdm\n",
    "from elasticsearch import Elasticsearch\n",
    "from elasticsearch.helpers import bulk\n",
    "# from openai import OpenAI\n",
    "# client = OpenAI()"
   ]
  },
  {
   "cell_type": "markdown",
   "id": "2454e399-424c-422e-9c60-8a83cf54b729",
   "metadata": {},
   "source": [
    "# Ingestion"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 5,
   "id": "21c60918-87b5-4156-88b7-291eb26ed85a",
   "metadata": {},
   "outputs": [],
   "source": [
    "with open('../data/arsonor_chunks_300_50.json', 'r', encoding='utf-8') as file:\n",
    "    documents = json.load(file)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 6,
   "id": "95eeaaa6",
   "metadata": {},
   "outputs": [],
   "source": [
    "es = Elasticsearch(\"http://localhost:9200\")"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 8,
   "id": "b296ac20",
   "metadata": {},
   "outputs": [],
   "source": [
    "index_name = \"arsonor_chunks_300\""
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 9,
   "id": "6e976954",
   "metadata": {},
   "outputs": [],
   "source": [
    "if es.indices.exists(index=index_name):\n",
    "    es.indices.delete(index=index_name)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 10,
   "id": "869defd3",
   "metadata": {},
   "outputs": [],
   "source": [
    "# Create index if not already created\n",
    "if not es.indices.exists(index=index_name):\n",
    "    es.indices.create(index=index_name, body={\n",
    "        \"mappings\": {\n",
    "            \"properties\": {\n",
    "                \"article_id\": {\"type\": \"keyword\"},\n",
    "                \"title\": {\"type\": \"text\"},\n",
    "                \"url\": {\"type\": \"keyword\"},\n",
    "                \"category\": {\"type\": \"keyword\"},\n",
    "                \"tags\": {\"type\": \"text\"},\n",
    "                \"chunk_id\": {\"type\": \"keyword\"},\n",
    "                \"chunk_text\": {\"type\": \"text\"}\n",
    "            }\n",
    "        }\n",
    "    })"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 11,
   "id": "0e16761c",
   "metadata": {},
   "outputs": [
    {
     "data": {
      "text/plain": [
       "(572, [])"
      ]
     },
     "execution_count": 11,
     "metadata": {},
     "output_type": "execute_result"
    }
   ],
   "source": [
    "def prepare_documents_for_indexing(docs):\n",
    "    for doc in docs:\n",
    "        yield {\n",
    "            \"_index\": index_name,\n",
    "            \"_id\": doc['chunk_id'],\n",
    "            \"_source\": {\n",
    "                \"article_id\": doc['article_id'],\n",
    "                \"title\": doc['title'],\n",
    "                \"url\": doc['url'],\n",
    "                \"category\": doc['category'],\n",
    "                \"tags\": doc['tags'],\n",
    "                \"chunk_id\": doc['chunk_id'],\n",
    "                \"chunk_text\": doc['chunk_text'],\n",
    "            }\n",
    "        }\n",
    "\n",
    "# Index the documents in bulk\n",
    "bulk(es, prepare_documents_for_indexing(documents))"
   ]
  },
  {
   "cell_type": "markdown",
   "id": "7ad4c969-765d-4ad2-b773-30cd5a790bf9",
   "metadata": {},
   "source": [
    "# RAG flow"
   ]
  },
  {
   "cell_type": "markdown",
   "id": "606af0fc",
   "metadata": {},
   "source": [
    "### Two-level retrieval mechanism (article-level followed by chunk-level)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 12,
   "id": "c62a3bf9",
   "metadata": {},
   "outputs": [],
   "source": [
    "def elastic_search2(query, category=None, min_score=0.1):\n",
    "    # First-level: Article search with diversity\n",
    "    article_filter = {\n",
    "        \"bool\": {\n",
    "            \"should\": [\n",
    "                {\n",
    "                    \"multi_match\": {\n",
    "                        \"query\": query,\n",
    "                        \"fields\": [\"title^3\", \"tags^2\", \"category\"],\n",
    "                        \"type\": \"cross_fields\",\n",
    "                        \"operator\": \"or\",\n",
    "                        \"tie_breaker\": 0.3\n",
    "                    }\n",
    "                }\n",
    "            ],\n",
    "            \"filter\": []\n",
    "        }\n",
    "    }\n",
    "\n",
    "    if category:\n",
    "        article_filter['bool']['filter'].append({\"term\": {\"category\": category}})\n",
    "\n",
    "    article_search_body = {\n",
    "        \"query\": article_filter,\n",
    "        \"size\": 20,  # Increased size for more diversity\n",
    "        \"_source\": [\"article_id\", \"title\", \"category\", \"tags\", \"url\"],\n",
    "        \"collapse\": {\n",
    "            \"field\": \"article_id\",  # Collapse results by article_id\n",
    "            \"inner_hits\": {\n",
    "                \"name\": \"most_relevant_chunk\",\n",
    "                \"size\": 1,\n",
    "                \"sort\": [{\"_score\": \"desc\"}]\n",
    "            },\n",
    "            \"max_concurrent_group_searches\": 4\n",
    "        },\n",
    "        \"min_score\": min_score\n",
    "    }\n",
    "\n",
    "    try:\n",
    "        article_search_results = es.search(index=index_name, body=article_search_body)['hits']['hits']\n",
    "    except Exception as e:\n",
    "        print(f\"Error in article search: {e}\")\n",
    "        return [], []\n",
    "\n",
    "    if not article_search_results:\n",
    "        return [], []\n",
    "\n",
    "    # Extract unique article IDs\n",
    "    top_article_ids = list(set(hit['_source']['article_id'] for hit in article_search_results))\n",
    "\n",
    "    # Second-level: Diverse chunk-level search\n",
    "    chunk_filter = {\n",
    "        \"bool\": {\n",
    "            \"must\": [\n",
    "                {\"terms\": {\"article_id\": top_article_ids}},\n",
    "                {\n",
    "                    \"multi_match\": {\n",
    "                        \"query\": query,\n",
    "                        \"fields\": [\"chunk_text^2\", \"title\"],\n",
    "                        \"type\": \"best_fields\",\n",
    "                        \"operator\": \"or\",\n",
    "                        \"fuzziness\": \"AUTO\"\n",
    "                    }\n",
    "                }\n",
    "            ]\n",
    "        }\n",
    "    }\n",
    "\n",
    "    chunk_search_body = {\n",
    "        \"query\": chunk_filter,\n",
    "        \"size\": 20,  # Increased size\n",
    "        \"_source\": [\"article_id\", \"chunk_id\", \"chunk_text\", \"title\", \"url\"],\n",
    "        \"collapse\": {\n",
    "            \"field\": \"article_id\",  # Ensure chunks from different articles\n",
    "            \"inner_hits\": {\n",
    "                \"name\": \"alternative_chunks\",\n",
    "                \"size\": 2  # Get 2 best chunks per article\n",
    "            }\n",
    "        },\n",
    "        \"min_score\": min_score\n",
    "    }\n",
    "\n",
    "    try:\n",
    "        chunk_search_results = es.search(index=index_name, body=chunk_search_body)['hits']['hits']\n",
    "    except Exception as e:\n",
    "        print(f\"Error in chunk search: {e}\")\n",
    "        return article_search_results, []\n",
    "\n",
    "    return article_search_results, chunk_search_results"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 13,
   "id": "c172e533",
   "metadata": {},
   "outputs": [],
   "source": [
    "def process_search_results(article_results, chunk_results):\n",
    "    processed_results = []\n",
    "    \n",
    "    # Create a mapping of article_id to article details\n",
    "    article_map = {hit['_source']['article_id']: hit['_source'] for hit in article_results}\n",
    "    \n",
    "    # Process chunk results and combine with article information\n",
    "    for chunk_hit in chunk_results:\n",
    "        article_id = chunk_hit['_source']['article_id']\n",
    "        if article_id in article_map:\n",
    "            article_info = article_map[article_id]\n",
    "            \n",
    "            # Get inner hits (alternative chunks)\n",
    "            alternative_chunks = chunk_hit['inner_hits']['alternative_chunks']['hits']['hits']\n",
    "            \n",
    "            processed_result = {\n",
    "                'article_id': article_id,\n",
    "                'title': article_info['title'],\n",
    "                'category': article_info.get('category', ''),\n",
    "                'tags': article_info.get('tags', []),\n",
    "                'url': article_info.get('url', ''),\n",
    "                'chunks': [\n",
    "                    {\n",
    "                        'chunk_id': alt_chunk['_source']['chunk_id'],\n",
    "                        'chunk_text': alt_chunk['_source']['chunk_text'],\n",
    "                        'score': alt_chunk['_score']\n",
    "                    }\n",
    "                    for alt_chunk in alternative_chunks\n",
    "                ],\n",
    "                'overall_score': chunk_hit['_score']\n",
    "            }\n",
    "            processed_results.append(processed_result)\n",
    "    \n",
    "    return processed_results"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 14,
   "id": "ceeb7972",
   "metadata": {},
   "outputs": [],
   "source": [
    "def search_with_diversity(query, category=None):\n",
    "    article_results, chunk_results = elastic_search2(query, category)\n",
    "    processed_results = process_search_results(article_results, chunk_results)\n",
    "    \n",
    "    return processed_results"
   ]
  },
  {
   "cell_type": "markdown",
   "id": "0fc3b25a",
   "metadata": {},
   "source": [
    "### Prompt"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 11,
   "id": "460e2c4b-d2b5-416a-aeb8-b2a503f8c448",
   "metadata": {},
   "outputs": [],
   "source": [
    "prompt_template = \"\"\"\n",
    "You're an audio engineer and sound designer instructor for beginners.\n",
    "You're particularly specialized in audio home-studio set-up, computer music production and audio post-production in general (editing, mixing and mastering). \n",
    "Answer the QUESTION based on the CONTEXT from our arsonor knowledge database (articles).\n",
    "Use only the facts from the CONTEXT when answering the QUESTION.\n",
    "Finally, recommend the top 3 Arsonor articles that are the best to read for answering this question.\n",
    "For each recommended article, include both its title and URL.\n",
    "\n",
    "QUESTION: {question}\n",
    "\n",
    "CONTEXT:\n",
    "{context}\n",
    "\n",
    "RECOMMENDED ARTICLES:\n",
    "{recommendations}\n",
    "\"\"\".strip()\n",
    "\n",
    "entry_template = \"\"\"\n",
    "ARTICLE: {title}\n",
    "KEYWORDS: {tags}\n",
    "CONTENT: {chunk_text}\n",
    "\"\"\".strip()\n",
    "\n",
    "recommendation_template = \"\"\"\n",
    "- [{title}]({url})\n",
    "\"\"\".strip()\n"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 12,
   "id": "2e6fc784",
   "metadata": {},
   "outputs": [],
   "source": [
    "def ensure_diversity(chunks, max_per_article=3):\n",
    "    articles = {}\n",
    "    for chunk in chunks:\n",
    "        title = chunk['title']\n",
    "        if title not in articles:\n",
    "            articles[title] = []\n",
    "        if len(articles[title]) < max_per_article:\n",
    "            articles[title].append(chunk)\n",
    "    \n",
    "    diverse_chunks = []\n",
    "    for article_chunks in articles.values():\n",
    "        diverse_chunks.extend(article_chunks)\n",
    "    \n",
    "    return sorted(diverse_chunks, key=lambda x: x['score'], reverse=True)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 13,
   "id": "c874bb9e",
   "metadata": {},
   "outputs": [],
   "source": [
    "def build_prompt2(query, search_results, max_context_entries=10):\n",
    "    # Build context from chunks\n",
    "    context_entries = []\n",
    "    seen_articles = set()\n",
    "    article_details = []\n",
    "\n",
    "    # Create a flat list of all chunks with their article info\n",
    "    all_chunks = []\n",
    "    for result in search_results:\n",
    "        article_id = result['article_id']\n",
    "        \n",
    "        # Store article details for recommendations\n",
    "        if article_id not in seen_articles:\n",
    "            seen_articles.add(article_id)\n",
    "            article_details.append({\n",
    "                'title': result['title'].strip(),\n",
    "                'url': result.get('url', '#').strip(),\n",
    "                'relevance_score': result['overall_score']\n",
    "            })        \n",
    "\n",
    "        # Add all chunks to a flat list with their article info\n",
    "        for chunk in result['chunks']:\n",
    "            all_chunks.append({\n",
    "                'title': result['title'],\n",
    "                'tags': result['tags'],\n",
    "                'chunk_text': chunk['chunk_text'],\n",
    "                'score': chunk['score']\n",
    "            })\n",
    "\n",
    "    # Sort all chunks by score and take top 10\n",
    "    top_chunks = ensure_diversity(sorted(all_chunks, key=lambda x: x['score'], reverse=True))[:max_context_entries]\n",
    "    \n",
    "    # Create context entries from top chunks\n",
    "    context_entries = [\n",
    "        entry_template.format(\n",
    "            title=chunk['title'],\n",
    "            tags=chunk['tags'],\n",
    "            chunk_text=chunk['chunk_text']\n",
    "        )\n",
    "        for chunk in top_chunks\n",
    "    ]\n",
    "    \n",
    "    # Sort article details by relevance score and get top 3\n",
    "    top_articles = sorted(article_details, key=lambda x: x['relevance_score'], reverse=True)[:3]\n",
    "    \n",
    "    # Create recommendations with clickable links\n",
    "    recommendations = \"\\n\".join(\n",
    "        recommendation_template.format(**article) \n",
    "        for article in top_articles\n",
    "    )\n",
    "\n",
    "    # Build the full prompt\n",
    "    context = \"\\n\\n\".join(context_entries)\n",
    "    prompt = prompt_template.format(\n",
    "        question=query,\n",
    "        context=context,\n",
    "        recommendations=recommendations\n",
    "    )\n",
    "    \n",
    "    return prompt"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 14,
   "id": "cdc8d950",
   "metadata": {},
   "outputs": [],
   "source": [
    "def get_prompt_for_query(query, category=None, max_context_entries=10):\n",
    "    search_results = search_with_diversity(query, category)\n",
    "    if not search_results:\n",
    "        return \"No relevant articles found for your query.\"\n",
    "    \n",
    "    try:\n",
    "        prompt = build_prompt2(query, search_results, max_context_entries)\n",
    "        return prompt\n",
    "    except Exception as e:\n",
    "        logging.error(f\"Error building prompt: {e}\")\n",
    "        return f\"Error generating prompt: {str(e)}\""
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 15,
   "id": "db9fe941",
   "metadata": {},
   "outputs": [],
   "source": [
    "# Optional: Debug function to check context size\n",
    "def debug_context_size(prompt):\n",
    "    context_start = prompt.find(\"CONTEXT:\") + 8\n",
    "    context_end = prompt.find(\"RECOMMENDED ARTICLES:\")\n",
    "    context = prompt[context_start:context_end].strip()\n",
    "    chunks = context.split('\\n\\nARTICLE:')\n",
    "    return {\n",
    "        'num_chunks': len(chunks),\n",
    "        'total_context_length': len(context),\n",
    "        'average_chunk_length': len(context) / len(chunks) if chunks else 0\n",
    "    }"
   ]
  },
  {
   "cell_type": "markdown",
   "id": "7bf18ede",
   "metadata": {},
   "source": [
    "### Test prompt"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 16,
   "id": "9ca3d363",
   "metadata": {},
   "outputs": [],
   "source": [
    "query = 'Comment obtenir une musique de haute qualité au même niveau sonore que les autres?'"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 17,
   "id": "5da68f69",
   "metadata": {},
   "outputs": [
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "You're an audio engineer and sound designer instructor for beginners.\n",
      "You're particularly specialized in audio home-studio set-up, computer music production and audio post-production in general (editing, mixing and mastering). \n",
      "Answer the QUESTION based on the CONTEXT from our arsonor knowledge database (articles).\n",
      "Use only the facts from the CONTEXT when answering the QUESTION.\n",
      "Finally, recommend the top 3 Arsonor articles that are the best to read for answering this question.\n",
      "For each recommended article, include both its title and URL.\n",
      "\n",
      "QUESTION: Comment obtenir une musique de haute qualité au même niveau sonore que les autres?\n",
      "\n",
      "CONTEXT:\n",
      "ARTICLE: Les morceaux de référence (2): Comment les choisir?\n",
      "KEYWORDS: ear training, écoute critique, liste de références\n",
      "CONTENT: Pour en revenir au dilemme goût personnel/qualité objective, tu peux très bien être fan d’un vieux morceau rock d’Elvis Presley tout en sachant pertinemment que la qualité sonore est à des années-lumières des standards d’aujourd’hui. Un mixage de grande qualité objective présente un très bon équilibre spectral, une haute définition des instruments, une belle ambiance, une dynamique musicale et un riche panorama stéréo. La dynamique est particulièrement importante . Si le morceau est une production dynamique, avec des passages silencieux et forts et des densités de mixage variables, c’est comme avoir trois morceaux en un! Surtout, c’est un morceau qui ne souffre pas de la Loudness War . En général tu pourras trouver une telle production dans des sorties commerciales à succès, surtout reconnues pour la qualité du label et/ou de la popularité du producteur/ingénieur du son. - mixage le plus transparent possible Pour qu’un morceau représente une référence la plus universelle possible, son mixage se doit d’être le moins caractéristique ou orienté vers une couleur sonore particulière. En effet, certains styles de mixage sont étroitement liés au style de musique jouée. La musique d’un groupe comme The Strokes ou d’un artiste comme Burial, aussi excellente soit-elle, présente un caractère trop distinct pour être utilisée comme référence pour d’autres musiques. - Pas trop chargé, ni trop léger en instrumentation Enfin, et cela va de soit, une référence universelle se doit de contenir toute la palette des éléments incontournables d’un morceau. A savoir, une ou des voix, une base rythmique de batterie, basse, guitare, clavier, cordes; instruments acoustiques, électriques, synthétiques… Néanmoins, attention à ce que cela ne devienne pas contre-productif. Il devient très difficile de bien discerner des aspects de mixages dans des productions trop chargées (à moins que la définition des instruments soit incroyablement excellente).\n",
      "\n",
      "ARTICLE: Les morceaux de référence (2): Comment les choisir?\n",
      "KEYWORDS: ear training, écoute critique, liste de références\n",
      "CONTENT: Les basses sur le morceau « LOYALTY » de Kendrick Lamar représente un bon exemple de limite extrême dans le bas du spectre: Les qualités idéales du morceau de référence Et si tu ne dois en choisir qu’un seul? LE morceau qui te suit partout, auquel tu peux te référer en toute circonstance, sur tous les systèmes audio et quel que soit le style musical. Celui que tu connaîtra par coeur à force d’écoutes répétées dans toutes les situations de ton travail. Ce ne peut être n’importe quel morceau. Cette référence idéale exige de remplir les conditions suivantes: - format audio non compressé (pas de mp3) En toute circonstance et pour toute ta liste, tu devrais déjà bannir le MP3 . Ce format, même s’il est très répandu pour l’écoute domestique, perd drastiquement en qualité (notamment dans les hautes fréquences) pour pouvoir être utilisé comme modèle de référence. Tu peux à la limite (au pire) te servir des formats de streaming comme sur Spotify ou Apple Music. Mais dans l’idéal, fais l’effort de te procurer quelques morceaux dans leur format original non compressé (typiquement un fichier WAV). Les fichiers FLAC (qui est un format compressé mais sans perte de données audio, ie. « Lossless ») peuvent aussi faire l’affaire. - mixage reconnu de haute qualité professionnelle Bien que cela relève de l’opinion personnelle, ton opinion de ce qu’est un bon mixage compte en premier. Pour en revenir au dilemme goût personnel/qualité objective, tu peux très bien être fan d’un vieux morceau rock d’Elvis Presley tout en sachant pertinemment que la qualité sonore est à des années-lumières des standards d’aujourd’hui. Un mixage de grande qualité objective présente un très bon équilibre spectral, une haute définition des instruments, une belle ambiance, une dynamique musicale et un riche panorama stéréo.\n",
      "\n",
      "ARTICLE: Comment éduquer l’oreille à l’art du mixage (Part 2)\n",
      "KEYWORDS: dynamique, fréquence, loudness, mixage, onde sonore, pitch, volume sonore\n",
      "CONTENT: L’intensité de l’onde sonore s’atténue dans l’espace car son énergie se dissipe. Plus on s’éloigne, plus on perd de la puissance. Les instruments acoustiques possèdent tous une caisse de résonance ou bien un tuyau qui permet de diminuer la dispersion de l’onde sonore, et donc de diminuer la perte de puissance. Macro et Micro-dynamique Pour en revenir au mixage audio, il faut distinguer plusieurs types de dynamique du son: Celle des niveaux sonores des instruments les uns par rapport aux autres. Elle se règle en utilisant essentiellement le “fader” (tirette de volume), en faisant ce que l’on appelle en mixage une “balance des niveaux” . Faders de volume Celle plus globale du morceau entier (macro-dynamique) . Les outils de traitement utilisés seront alors le compresseur, le gate, le limiteur (et leur variantes). En prenant l’exemple du début, le morceau Pop aura été traité bien plus drastiquement à l’aide de ces outils que le morceau de musique classique. Cela résulte à un niveau de Loudness bien plus important pour le morceau Pop. Sur l’image suivante, on peut voir un autre exemple de différence de loudness et son impact sur la forme d’onde entre un morceau de Queen en 1975 et un morceau des Red Hot Chili Peppers en 1999: Enfin celle des changements notables de niveaux au sein même de la performance de l’instrument (micro-dynamique) . Par exemple, une voix sera naturellement très dynamique. Ses variations de niveaux, qu’ils soient soudains ou graduels, vont gêner la balance relative du mix. On cherchera alors à contenir ces variations de niveaux avec le fader en automation (“gain riding”) ou avec l’aide d’un compresseur .\n",
      "\n",
      "ARTICLE: 11 objectifs d’utilisation des EQ (Bien aborder les EQ part 7)\n",
      "KEYWORDS: balance tonale, couleur sonore, filtrage, largeur stéréo, masquage, profondeur, tonalité\n",
      "CONTENT: Mais dans bien d’autres cas, cela peut devenir un problème embêtant. Il y a plusieurs manières de résoudre ce conflit entre deux instruments. D’abord, on peut ajuster le niveau global de l’un ou de l’autre. Mais en faisant cela, il y a un risque de ne plus assez entendre l’instrument diminué au profit de l’autre. La solution est alors un ajustement des niveaux par les EQ. Ajustement léger des niveaux En effet, l’utilisation des EQ permet d’ajuster le niveau seulement sur certaines parties du spectre. Par exemple, on peut facilement rendre un élément plus fort en « boostant » seulement dans la zone autour des 3 kHz, où notre oreille est la plus sensible (voir articles sur le loudness ). L’avantage est que les autres parties du spectre demeurent intactes. De plus, augmenter (ou diminuer) le niveau global d’un instrument (par exemple la basse) risque d’engendrer un déséquilibre évident sur la balance tonale du morceau. Travailler les niveaux sur une portion du spectre est alors moins explicite, et plus efficace. Sois conscient tout de même que l’utilisation des EQ dégrade plus facilement la qualité du son traité, contrairement à l’utilisation des faders de volume. Donc, l’utilisation des EQ dans l’ajustement des niveaux doit se faire à petites doses et dans le contexte du masquage d’un élément par un autre. Pouvoir de séparation des instruments Si cela marche de diminuer légèrement le niveau à telle ou telle fréquence, on peut aussi tenter de « couper » les fréquences dispensables de l’instrument . Les EQ nous aident ainsi à rétrécir ou élargir la « taille » fréquentielle des instruments, ou à les « déplacer » un peu plus bas ou plus haut dans le spectre fréquentiel. Bien entendu, chaque instrument ne se limite pas à une seule bande de fréquence.\n",
      "\n",
      "ARTICLE: Masteriser sa musique VS. Déléguer à un professionnel\n",
      "KEYWORDS: déléguer, environnement de travail, masteriser, studio de mastering\n",
      "CONTENT: Voilà le dilemne auquel tout producteur musical est confronté à un moment donné de son évolution. Masteriser sa musique relève du challenge. Je t’invite à jeter un coup d’œil à l’article précédent qui montre à quels niveaux le mastering diffère tant du mixage. Déléguer ce travail à un professionnel, avec une paire d’oreilles nouvelles sur ta musique, se révèle souvent la recette du succès. Cependant, il n’est automatique pour personne de remettre sa création dans des mains étrangères pour finir le boulot. Et il n’est pas toujours aussi simple de t rouver la bonne personne, en qui tu peux faire confiance. Je te donne des pistes dans la deuxième partie de l’article pour arriver à tes fins dans l’art de déléguer. Mais d’abord voyons si c’est une si mauvaise idée de mixer et masteriser sa musique soi-même. Mixer et Masteriser sa musique Parfois, des obstacles techniques et financiers entravent l’accès de tous à des studios professionnels, mais ce n’est pas grave. Tout le monde n’a pas le budget ou les outils pour obtenir un Master dans les règles de l’art. Ces choses arrivent. Beaucoup de producteurs mixent et masterisent leur propre musique. Certains le font exceptionnellement bien, d’autres pas. Parmi ces derniers, la déception des résultats obtenus provient souvent des attentes irréalistes de ce que l’on peut accomplir sans les traitements acoustiques et système d’écoute requis. Grosso-modo, il est très difficile de prendre les bonnes décisions sans un environnement d’écoute le plus neutre possible . Il est assez incroyable de réaliser à quel point la configuration de ta salle de travail peut avoir comme effet sur la façon dont tu perçois le son de ton mixage. Il te semble que la basse de ton morceau sonne parfaitement équilibrée dans ton home-studio.\n",
      "\n",
      "ARTICLE: Comment gérer l’équilibre dynamique de la musique?\n",
      "KEYWORDS: arrangement, automation de volume, macro-dynamique, micro-dynamique, mise à plat, niveau absolu, niveau relatif, podcast\n",
      "CONTENT: Je te renvoie à ce sujet sur la série d’articles « La gestion des niveaux sonores » où je parle longuement de ces problématiques des niveaux forts ainsi que les compromis à faire entre le niveau perçu global du morceau (le loudness) et sa dynamique. Niveau relatif VS Niveau absolu Mais le sujet de cet article est de maintenant considérer la gestion des niveaux des instruments entre eux, les uns par rapport aux autres, leur niveau relatif . En fait c’est la première chose à considérer dans le processus de production avant de se préoccuper du niveau final maximal à atteindre, qui est plus une préoccupation à l’étape finale du Mastering. Entre parenthèse, si tu veux pouvoir écouter le morceau ou un élément en particulier plus fort, il suffit d’augmenter le volume de tes hauts-parleurs! En travaillant sur une prod, on travaille toujours sur un projet multitrack (multi-pistes) avec forcément plusieurs éléments ou instruments différents répartis sur chaque piste de la DAW, que ce soit sur Ableton, Logic, Cubase, protools, etc… Donc au départ de mon projet, la question n’est pas de savoir « quel niveau absolu? » mais « quel niveau pour cet instrument par rapport aux autres? ». Cette dernière question est à la base de la plupart de nos décisions dans l’ajustement des volumes: on fixe généralement le niveau d’un instrument tout en le comparant au niveau d’un autre. Apprendre à écouter ces différences de niveaux de manière objective Se pose alors la question: « Qu’est-ce qui est considéré comme un bon équilibre de niveau relatif? » Bien que ce soit du niveau du subjectif, selon les goûts personnels, il y’a quand même de la marge avant de vraiment se tromper sur l’établissement d’un équilibre en volume entre les pistes.\n",
      "\n",
      "ARTICLE: Comment gérer l’équilibre dynamique de la musique?\n",
      "KEYWORDS: arrangement, automation de volume, macro-dynamique, micro-dynamique, mise à plat, niveau absolu, niveau relatif, podcast\n",
      "CONTENT: Voici le deuxième épisode du podcast qui te présente pourquoi et comment ajuster l’équilibre dynamique d’une production musicale. L’article en-dessous est la transcription de cet épisode où tu peux bien sûr y retrouver tous les exemples sonores. Pour écouter cet épisode, lance tout simplement le lecteur ci-dessus. Tu peux aussi accéder à la page officielle du podcast . Et bien sûr, tu peux le télécharger en qualité audio optimale par le lien suivant . Pourquoi et comment gère t-on les niveaux relatifs des instruments? Manipuler la dynamique est l’une des manières les plus importantes d’ajuster l’énergie tout le long d’un morceau de musique. C’est une grande part de la raison d’être de la musique: une façon de toucher aux émotions et à l’énergie de l’auditeur. Cela permet de le guider à travers un mixage complexe et de le concentrer sur l’élément musical le plus important. Et ce contrôle des dynamiques peut s’effectuer à différentes étapes du processus de production afin d’intensifier cette expérience. Alors d’un point de vue plus technique, cela passe d’abord par la gestion des niveaux sonores du morceau dans sa globalité. Et notamment la gestion des niveaux les plus forts, surtout en numérique, dans ton ordinateur, où on sait l’importance de ne pas dépasser le 0dBFS maximal. Je te renvoie à ce sujet sur la série d’articles « La gestion des niveaux sonores » où je parle longuement de ces problématiques des niveaux forts ainsi que les compromis à faire entre le niveau perçu global du morceau (le loudness) et sa dynamique. Niveau relatif VS Niveau absolu Mais le sujet de cet article est de maintenant considérer la gestion des niveaux des instruments entre eux, les uns par rapport aux autres, leur niveau relatif .\n",
      "\n",
      "ARTICLE: 11 objectifs d’utilisation des EQ (Bien aborder les EQ part 7)\n",
      "KEYWORDS: balance tonale, couleur sonore, filtrage, largeur stéréo, masquage, profondeur, tonalité\n",
      "CONTENT: Néanmoins, malgré cette définition vague de ce que doit être le bon équilibre, une réponse en fréquence déformée d’un son est fortement susceptible d’être remarquée. Certaines bandes de fréquence trop marquées ou au contraire manquantes (sur une bande plus ou moins large ou étroite) est un des défauts critiques que les EQ vont pouvoir régler. Dans un enregistrement sonore, le premier traitement EQ appliqué au son sera l’utilisation même d’un micro! En effet, celui-ci, suivant son type et sa qualité, « captera » un certain contenu fréquentiel, pas souvent conforme à la réalité de captation de nos oreilles. Pour cela, les EQ permettent un réajustement du spectre fréquentiel , surtout lors d’enregistrements dits « amateurs » en home-studio sans réel traitement acoustique et/ou micro de qualité bien positionné… 3) Remédier au masquage Les fréquences de la plupart des éléments d’un mixage se superposent. Un exemple évident est une sub-bass (onde sinus à basse fréquence) ajoutée à un Kick. Quand deux ou plusieurs instruments se battent pour le même domaine fréquentiel, il devient difficile de discerner un instrument d’un autre. C’est ce qu’on appelle l’ effet de masquage . Répartition fréquentielle pour divers instruments. On voit vite les difficultés si on veut isoler spectralement un élément par rapport à un autre). Bien sûr, à partir du moment où on mixe divers instruments ensemble, le masquage devient inhérent au mixage et c’est un phénomène acceptable la plupart du temps. Mais dans bien d’autres cas, cela peut devenir un problème embêtant. Il y a plusieurs manières de résoudre ce conflit entre deux instruments. D’abord, on peut ajuster le niveau global de l’un ou de l’autre. Mais en faisant cela, il y a un risque de ne plus assez entendre l’instrument diminué au profit de l’autre.\n",
      "\n",
      "ARTICLE: Comment bien aborder les EQ (1): La perception des fréquences\n",
      "KEYWORDS: échelle log, EQ, fréquences, octave, perception, pitch, tonalité\n",
      "CONTENT: En fait, aux tous débuts de la téléphonie, les ingénieurs faisaient face à un problème: sur des longueurs de câble importantes, les hautes fréquences (HF) diminuaient. Si bien que la voix réceptionnée sur une longue distance était “sourde” et difficile à comprendre. Ils conçurent donc un circuit électronique qui permettait de booster ces hautes fréquences. Le signal aux deux extrémités du câble était alors égal. L’égaliseur (ou “equalizer”) fut le nom donné à ce circuit . Les EQ: du téléphone au mixage Bien sûr, en mixage aujourd’hui, les égaliseurs ne sont plus utilisés pour rendre un son égal à un autre, mais pour manipuler le contenu fréquentiel de divers éléments sonores. Les EQ peuvent être vus comme un contrôle sur les niveaux de manière plus détaillée. Ils permettent d’augmenter (boost) ou diminuer (cut) le niveau sonore à des fréquences spécifiques. Si tu lis cet article, tu t’es peut être déjà servi d’un EQ. Et c’est facile de voir l’effet que peut avoir un contrôle (un filtre par exemple) sur le son. L’EQ n’est qu’un processus technique qui conduit à un résultat émotionnel . Par contre, comprendre le rôle et la répartition des fréquences et comment bien les manipuler, c’est une autre affaire. En effet, avant de savoir égaliser un son, tu dois savoir en trouver les fréquences dans le spectre! Le spectre fréquentiel On a déjà vu que les fréquences, mesurées en Hertz (Hz), représentent le nombre de cycles par seconde d’une onde donnée (1Hz = 1 vibration/sec). Une tonalité à 200 Hz a 200 cycles par seconde, ce qui nous donne un pitch reconnaissable. Notre oreille entend les fréquences dans l’intervalle approximatif 20Hz – 20000Hz . On se réfère à cet intervalle comme le spectre fréquentiel .\n",
      "\n",
      "ARTICLE: Par où commencer dans l’apprentissage d’une DAW pour produire sa musique?\n",
      "KEYWORDS: apprentissage, Audio, composition, DAW, home-studio, MIDI, production musicale\n",
      "CONTENT: On retrouve même la DAW dans tout studio de production musicale professionnel actuel. Elle permet en effet à un seul ordinateur polyvalent d’émuler toutes les fonctions à la fois de routage, d’enregistrement, de traitement et de mixage de l’audio. Toutes ces fonctions étaient autrefois assurées par des unités matérielles ‘hardware’. La constante amélioration dans la fiabilité et les fonctionnalités des traitements numériques et du stockage des données informatiques au cours des 20 dernières années a permis à la DAW de largement les remplacer. Si nécessaire, la connexion au monde analogique intervient via une interface audio : un appareil comportant des prises d’entrée/sortie (E/S) audio et les convertisseurs du signal analogique vers numérique (ADC) et vice-versa (DAC). Tout cela conjugué aux prix en baisse, la production musicale est devenue beaucoup plus accessible . Une musique de qualité peut se créer sur un ordinateur portable standard, sans hardware coûteux. Vue de la DAW Protools sur lécran d'ordinateur Rôle(s) du producteur musical moderne Mais cette tendance vers une « simplification » des traitements audio a en même temps engendré un effet pervers: la polyvalence nécessaire dans les tâches à accomplir. Selon la définition traditionnelle, le producteur supervise, gère et guide le processus d’enregistrement et de production d’une chanson. Pour des productions de haut calibre (pense Top 40, musique commerciale…), on retrouve normalement un certains nombres de personnes à la production en plus de l’artiste et du producteur. Un manager, un coach, d’autres musiciens, plusieurs ingénieurs du son à l’enregistrement, au mixage puis au mastering, etc… Les musiques électroniques pionnières du home-studio La réalité du home-studiste est qu’il fait généralement tout cela! C’est ce que j’appelle le producteur musical moderne: son rôle est polyvalent, de la proposition d’idées musicales à leur organisation, finalisation puis distribution.\n",
      "\n",
      "RECOMMENDED ARTICLES:\n",
      "- [Les morceaux de référence (2): Comment les choisir?](https://arsonor.com/les-morceaux-de-reference-2-comment-les-choisir/)\n",
      "- [Comment éduquer l’oreille à l’art du mixage (Part 2)](https://arsonor.com/comment-eduquer-loreille-a-lart-du-mixage-part-2/)\n",
      "- [11 objectifs d’utilisation des EQ (Bien aborder les EQ part 7)](https://arsonor.com/11-objectifs-dutilisation-des-eq-bien-aborder-les-eq-part-7/)\n"
     ]
    }
   ],
   "source": [
    "prompt = get_prompt_for_query(query, category=None, max_context_entries=10)\n",
    "print(prompt)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 18,
   "id": "d569bb5c",
   "metadata": {},
   "outputs": [
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "Number of chunks: 10\n",
      "Total context length: 19624\n",
      "Average chunk length: 1962.40\n"
     ]
    }
   ],
   "source": [
    "debug_info = debug_context_size(prompt)\n",
    "print(f\"Number of chunks: {debug_info['num_chunks']}\")\n",
    "print(f\"Total context length: {debug_info['total_context_length']}\")\n",
    "print(f\"Average chunk length: {debug_info['average_chunk_length']:.2f}\")"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 19,
   "id": "6a54c74a-78fa-4684-b19b-f6bba6273cec",
   "metadata": {},
   "outputs": [],
   "source": [
    "def llm(prompt, model='gpt-4o-mini'):\n",
    "    response = client.chat.completions.create(\n",
    "        model=model,\n",
    "        messages=[{\"role\": \"user\", \"content\": prompt}]\n",
    "    )\n",
    "    \n",
    "    return response.choices[0].message.content"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 20,
   "id": "200a1d40-a113-4737-99ec-ac7e1c6114d4",
   "metadata": {},
   "outputs": [],
   "source": [
    "def rag(query, category=None, model='gpt-4o-mini'):\n",
    "    prompt = get_prompt_for_query(query, category, max_context_entries=10)\n",
    "    answer = llm(prompt, model=model)\n",
    "    return answer"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 21,
   "id": "58469b47-a3ee-4941-9466-d944c82d7265",
   "metadata": {},
   "outputs": [
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "Pour obtenir une musique de haute qualité avec un niveau sonore comparable à celui des autres productions, il est essentiel de se concentrer sur plusieurs aspects clés :\n",
      "\n",
      "1. **Qualité de Mixage** : Le mixage doit être transparent, équilibré et dynamique. Cherchez à reproduire un très bon équilibre spectral et une haute définition des instruments, en évitant la Loudness War, qui peut nuire à la qualité sonore.\n",
      "\n",
      "2. **Utilisation de Morceaux de Référence** : Pour évaluer la qualité de votre mix, sélectionnez des morceaux de référence ayant un mixage de haute qualité. Preférez des formats audio non compressés (comme WAV ou FLAC) pour le traitement de votre musique.\n",
      "\n",
      "3. **Équilibre Dynamique** : Prenez en compte la macro-dynamique (les niveaux globaux) et la micro-dynamique (les variations de niveaux au sein même d'un instrument). Une compression et une automation appropriées des niveaux peuvent aider à atteindre un niveau perçu global satisfaisant.\n",
      "\n",
      "4. **Éducation de l'oreille et ajustement avec EQ** : Apprenez à écouter les différences de niveaux relatifs entre instruments. Utilisez des égaliseurs (EQ) pour ajuster les fréquences et éviter le masquage sonore qui peut empêcher certains éléments de se démarquer.\n",
      "\n",
      "En résumé, travailler sur une base solide de mixage dynamique tout en utilisant des morceaux de référence pour guider vos choix et ajuster les niveaux avec les outils adéquats vous aidera à atteindre un niveau sonore compétitif.\n",
      "\n",
      "### ARTICLES RECOMMANDÉS :\n",
      "- [Les morceaux de référence (2): Comment les choisir?](https://arsonor.com/les-morceaux-de-reference-2-comment-les-choisir/)\n",
      "- [Comment éduquer l’oreille à l’art du mixage (Part 2)](https://arsonor.com/comment-eduquer-loreille-a-lart-du-mixage-part-2/)\n",
      "- [11 objectifs d’utilisation des EQ (Bien aborder les EQ part 7)](https://arsonor.com/11-objectifs-dutilisation-des-eq-bien-aborder-les-eq-part-7/)\n"
     ]
    }
   ],
   "source": [
    "# category = 'LE HOME STUDIO'\n",
    "question = 'Comment obtenir une musique de haute qualité au même niveau sonore que les autres?'\n",
    "answer = rag(question)\n",
    "print(answer)"
   ]
  },
  {
   "cell_type": "markdown",
   "id": "73be4d02-5d0f-465b-9b75-26dac1b1cbb7",
   "metadata": {},
   "source": [
    "# Retrieval evaluation"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 15,
   "id": "286045b2-a6a9-4120-9d75-8bdf4318f18a",
   "metadata": {},
   "outputs": [
    {
     "data": {
      "text/html": [
       "<div>\n",
       "<style scoped>\n",
       "    .dataframe tbody tr th:only-of-type {\n",
       "        vertical-align: middle;\n",
       "    }\n",
       "\n",
       "    .dataframe tbody tr th {\n",
       "        vertical-align: top;\n",
       "    }\n",
       "\n",
       "    .dataframe thead th {\n",
       "        text-align: right;\n",
       "    }\n",
       "</style>\n",
       "<table border=\"1\" class=\"dataframe\">\n",
       "  <thead>\n",
       "    <tr style=\"text-align: right;\">\n",
       "      <th></th>\n",
       "      <th>question</th>\n",
       "      <th>category</th>\n",
       "      <th>chunk</th>\n",
       "      <th>article</th>\n",
       "    </tr>\n",
       "  </thead>\n",
       "  <tbody>\n",
       "    <tr>\n",
       "      <th>0</th>\n",
       "      <td>Quel est l'impact de l'IA sur la post-producti...</td>\n",
       "      <td>LA POST-PROD</td>\n",
       "      <td>4615db39-1</td>\n",
       "      <td>4615db39</td>\n",
       "    </tr>\n",
       "    <tr>\n",
       "      <th>1</th>\n",
       "      <td>Comment les outils IA simplifient-ils le trava...</td>\n",
       "      <td>LA POST-PROD</td>\n",
       "      <td>4615db39-1</td>\n",
       "      <td>4615db39</td>\n",
       "    </tr>\n",
       "    <tr>\n",
       "      <th>2</th>\n",
       "      <td>Quels avantages l'IA apporte-t-elle aux artist...</td>\n",
       "      <td>LA POST-PROD</td>\n",
       "      <td>4615db39-1</td>\n",
       "      <td>4615db39</td>\n",
       "    </tr>\n",
       "    <tr>\n",
       "      <th>3</th>\n",
       "      <td>Comment un débutant peut-il améliorer ses prod...</td>\n",
       "      <td>LA POST-PROD</td>\n",
       "      <td>4615db39-1</td>\n",
       "      <td>4615db39</td>\n",
       "    </tr>\n",
       "    <tr>\n",
       "      <th>4</th>\n",
       "      <td>Quelle est l'évolution des outils audio pour l...</td>\n",
       "      <td>LA POST-PROD</td>\n",
       "      <td>4615db39-1</td>\n",
       "      <td>4615db39</td>\n",
       "    </tr>\n",
       "  </tbody>\n",
       "</table>\n",
       "</div>"
      ],
      "text/plain": [
       "                                            question      category  \\\n",
       "0  Quel est l'impact de l'IA sur la post-producti...  LA POST-PROD   \n",
       "1  Comment les outils IA simplifient-ils le trava...  LA POST-PROD   \n",
       "2  Quels avantages l'IA apporte-t-elle aux artist...  LA POST-PROD   \n",
       "3  Comment un débutant peut-il améliorer ses prod...  LA POST-PROD   \n",
       "4  Quelle est l'évolution des outils audio pour l...  LA POST-PROD   \n",
       "\n",
       "        chunk   article  \n",
       "0  4615db39-1  4615db39  \n",
       "1  4615db39-1  4615db39  \n",
       "2  4615db39-1  4615db39  \n",
       "3  4615db39-1  4615db39  \n",
       "4  4615db39-1  4615db39  "
      ]
     },
     "execution_count": 15,
     "metadata": {},
     "output_type": "execute_result"
    }
   ],
   "source": [
    "df_question = pd.read_csv('../data/ground-truth-300.csv')\n",
    "df_question.head()"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 22,
   "id": "2d0a4048",
   "metadata": {},
   "outputs": [
    {
     "data": {
      "text/plain": [
       "2860"
      ]
     },
     "execution_count": 22,
     "metadata": {},
     "output_type": "execute_result"
    }
   ],
   "source": [
    "ground_truth = df_question.to_dict(orient='records')\n",
    "len(ground_truth)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 24,
   "id": "7bd63de1",
   "metadata": {},
   "outputs": [],
   "source": [
    "def hit_rate(relevance_total):\n",
    "    cnt = 0\n",
    "\n",
    "    for line in relevance_total:\n",
    "        if True in line:\n",
    "            cnt = cnt + 1\n",
    "\n",
    "    return cnt / len(relevance_total)\n",
    "\n",
    "\n",
    "def mrr(relevance_total):\n",
    "    total_score = 0.0\n",
    "\n",
    "    for line in relevance_total:\n",
    "        for rank in range(len(line)):\n",
    "            if line[rank] == True:\n",
    "                total_score = total_score + 1 / (rank + 1)\n",
    "\n",
    "    return total_score / len(relevance_total)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 28,
   "id": "742aaea3",
   "metadata": {},
   "outputs": [],
   "source": [
    "def evaluate(ground_truth, search_function):\n",
    "    relevance_total = []\n",
    "\n",
    "    for q in tqdm(ground_truth):\n",
    "        relevance = [] \n",
    "        doc_id = q['chunk']\n",
    "        results = search_function(q)\n",
    "        for d in results:\n",
    "            for c in d['chunks']:\n",
    "                relevance.append(c['chunk_id'] == doc_id)\n",
    "        relevance_total.append(relevance)\n",
    "\n",
    "    return {\n",
    "        'hit_rate': hit_rate(relevance_total),\n",
    "        'mrr': mrr(relevance_total)\n",
    "    }"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 29,
   "id": "2916c7e8",
   "metadata": {},
   "outputs": [
    {
     "data": {
      "application/vnd.jupyter.widget-view+json": {
       "model_id": "f3d39c3b17684bd0b7e03eab30ed1213",
       "version_major": 2,
       "version_minor": 0
      },
      "text/plain": [
       "  0%|          | 0/2860 [00:00<?, ?it/s]"
      ]
     },
     "metadata": {},
     "output_type": "display_data"
    },
    {
     "data": {
      "text/plain": [
       "{'hit_rate': 0.6961538461538461, 'mrr': 0.5156604215159822}"
      ]
     },
     "execution_count": 29,
     "metadata": {},
     "output_type": "execute_result"
    }
   ],
   "source": [
    "evaluate(ground_truth, lambda q: search_with_diversity(q['question'], q['category']))"
   ]
  },
  {
   "cell_type": "markdown",
   "id": "b5fa7282",
   "metadata": {},
   "source": [
    "## New evaluation framework"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 1,
   "id": "5b3e6dbd",
   "metadata": {},
   "outputs": [],
   "source": [
    "from typing import List, Dict, Any\n",
    "from collections import defaultdict\n",
    "import numpy as np"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 2,
   "id": "25754f6d",
   "metadata": {},
   "outputs": [],
   "source": [
    "class SearchEvaluator:\n",
    "    def __init__(self, ground_truth: List[Dict[str, str]]):\n",
    "        \"\"\"\n",
    "        Initialize the evaluator with ground truth data.\n",
    "        \n",
    "        Args:\n",
    "            ground_truth: List of dictionaries, each containing:\n",
    "                - 'question': str\n",
    "                - 'category': str\n",
    "                - 'chunk': str (chunk_id)\n",
    "                - 'article': str (article_id)\n",
    "        \"\"\"\n",
    "        self.ground_truth = ground_truth\n",
    "        \n",
    "        # Create mappings for efficient lookup\n",
    "        self.question_to_chunks = defaultdict(list)\n",
    "        self.question_to_articles = defaultdict(list)\n",
    "        self.question_to_category = {}\n",
    "        \n",
    "        for item in ground_truth:\n",
    "            question = item['question']\n",
    "            self.question_to_chunks[question].append(item['chunk'])\n",
    "            self.question_to_articles[question].append(item['article'])\n",
    "            self.question_to_category[question] = item['category']\n",
    "\n",
    "    def evaluate(self, k_values: List[int] = [1, 3, 5, 10]) -> Dict:\n",
    "        \"\"\"\n",
    "        Evaluate the search system using multiple metrics.\n",
    "        \n",
    "        Args:\n",
    "            k_values: List of k values for Hit@K calculation\n",
    "        \n",
    "        Returns:\n",
    "            Dictionary containing various evaluation metrics\n",
    "        \"\"\"\n",
    "        results = {\n",
    "            'overall': {\n",
    "                'mrr': 0.0,\n",
    "                'hit_rates': {k: 0.0 for k in k_values}\n",
    "            },\n",
    "            'per_category': defaultdict(lambda: {\n",
    "                'mrr': 0.0,\n",
    "                'hit_rates': {k: 0.0 for k in k_values},\n",
    "                'count': 0\n",
    "            }),\n",
    "            'per_question_metrics': []\n",
    "        }\n",
    "        \n",
    "        total_questions = len(self.question_to_chunks)\n",
    "        \n",
    "        for question in self.question_to_chunks.keys():\n",
    "            # Get search results for the question\n",
    "            search_results = search_with_diversity(question)\n",
    "            \n",
    "            # Get relevant chunk and article IDs for this question\n",
    "            relevant_chunk_ids = set(self.question_to_chunks[question])\n",
    "            relevant_article_ids = set(self.question_to_articles[question])\n",
    "            category = self.question_to_category[question]\n",
    "            \n",
    "            # Calculate metrics for this question\n",
    "            question_metrics = self._calculate_question_metrics(\n",
    "                search_results, relevant_chunk_ids, relevant_article_ids, k_values)\n",
    "            \n",
    "            # Update overall metrics\n",
    "            results['overall']['mrr'] += question_metrics['reciprocal_rank']\n",
    "            for k in k_values:\n",
    "                results['overall']['hit_rates'][k] += question_metrics[f'hit@{k}']\n",
    "            \n",
    "            # Update per-category metrics\n",
    "            results['per_category'][category]['mrr'] += question_metrics['reciprocal_rank']\n",
    "            results['per_category'][category]['count'] += 1\n",
    "            for k in k_values:\n",
    "                results['per_category'][category]['hit_rates'][k] += question_metrics[f'hit@{k}']\n",
    "            \n",
    "            results['per_question_metrics'].append({\n",
    "                'question': question,\n",
    "                'category': category,\n",
    "                'metrics': question_metrics\n",
    "            })\n",
    "        \n",
    "        # Average the overall metrics\n",
    "        results['overall']['mrr'] /= total_questions\n",
    "        for k in k_values:\n",
    "            results['overall']['hit_rates'][k] /= total_questions\n",
    "        \n",
    "        # Average the per-category metrics\n",
    "        for category_metrics in results['per_category'].values():\n",
    "            if category_metrics['count'] > 0:\n",
    "                category_metrics['mrr'] /= category_metrics['count']\n",
    "                for k in k_values:\n",
    "                    category_metrics['hit_rates'][k] /= category_metrics['count']\n",
    "        \n",
    "        return results\n",
    "\n",
    "    def _calculate_question_metrics(\n",
    "        self, \n",
    "        search_results: List[Dict], \n",
    "        relevant_chunk_ids: set,\n",
    "        relevant_article_ids: set,\n",
    "        k_values: List[int]\n",
    "    ) -> Dict:\n",
    "        \"\"\"\n",
    "        Calculate metrics for a single question.\n",
    "        \"\"\"\n",
    "        metrics = {\n",
    "            f'hit@{k}': 0 for k in k_values\n",
    "        }\n",
    "        metrics.update({\n",
    "            f'article_hit@{k}': 0 for k in k_values\n",
    "        })\n",
    "        metrics['reciprocal_rank'] = 0\n",
    "        metrics['article_reciprocal_rank'] = 0\n",
    "        \n",
    "        chunk_found_positions = []\n",
    "        article_found_positions = []\n",
    "        \n",
    "        for rank, result in enumerate(search_results, 1):\n",
    "            # Check article-level match\n",
    "            if result['article_id'] in relevant_article_ids:\n",
    "                article_found_positions.append(rank)\n",
    "            \n",
    "            # Check chunk-level match\n",
    "            for chunk in result['chunks']:\n",
    "                if chunk['chunk_id'] in relevant_chunk_ids:\n",
    "                    chunk_found_positions.append(rank)\n",
    "                    break\n",
    "        \n",
    "        # Calculate Hit@K for both chunk and article levels\n",
    "        for k in k_values:\n",
    "            metrics[f'hit@{k}'] = 1 if any(pos <= k for pos in chunk_found_positions) else 0\n",
    "            metrics[f'article_hit@{k}'] = 1 if any(pos <= k for pos in article_found_positions) else 0\n",
    "        \n",
    "        # Calculate Reciprocal Rank for both levels\n",
    "        if chunk_found_positions:\n",
    "            metrics['reciprocal_rank'] = 1.0 / min(chunk_found_positions)\n",
    "        if article_found_positions:\n",
    "            metrics['article_reciprocal_rank'] = 1.0 / min(article_found_positions)\n",
    "        \n",
    "        return metrics\n",
    "\n",
    "    def print_detailed_results(self, results: Dict):\n",
    "        \"\"\"\n",
    "        Print detailed evaluation results.\n",
    "        \"\"\"\n",
    "        print(\"Overall Metrics:\")\n",
    "        print(f\"MRR: {results['overall']['mrr']:.4f}\")\n",
    "        for k, hit_rate in results['overall']['hit_rates'].items():\n",
    "            print(f\"Hit@{k}: {hit_rate:.4f}\")\n",
    "        \n",
    "        print(\"\\nPer-category Metrics:\")\n",
    "        for category, metrics in results['per_category'].items():\n",
    "            print(f\"\\n{category}:\")\n",
    "            print(f\"  Count: {metrics['count']}\")\n",
    "            print(f\"  MRR: {metrics['mrr']:.4f}\")\n",
    "            for k, hit_rate in metrics['hit_rates'].items():\n",
    "                print(f\"  Hit@{k}: {hit_rate:.4f}\")\n",
    "        \n",
    "        print(\"\\nSample Per-question Metrics (first 5):\")\n",
    "        for item in results['per_question_metrics'][:5]:\n",
    "            print(f\"\\nQuestion: {item['question']}\")\n",
    "            print(f\"Category: {item['category']}\")\n",
    "            m = item['metrics']\n",
    "            print(f\"  Reciprocal Rank: {m['reciprocal_rank']:.4f}\")\n",
    "            for k in sorted(k for k in m.keys() if k.startswith('hit@')):\n",
    "                print(f\"  {k}: {m[k]}\")\n"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 27,
   "id": "e4385119",
   "metadata": {},
   "outputs": [],
   "source": [
    "def run_evaluation(ground_truth: List[Dict[str, str]], k_values: List[int] = [1, 3, 5, 10]) -> Dict:\n",
    "    \"\"\"\n",
    "    Run the complete evaluation process.\n",
    "    \n",
    "    Args:\n",
    "        ground_truth: List of dictionaries containing ground truth data\n",
    "        k_values: List of k values for Hit@K calculation\n",
    "    \n",
    "    Returns:\n",
    "        Dictionary containing evaluation results\n",
    "    \"\"\"\n",
    "    evaluator = SearchEvaluator(ground_truth)\n",
    "    results = evaluator.evaluate(k_values)\n",
    "    evaluator.print_detailed_results(results)\n",
    "    return results"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": null,
   "id": "4be45365",
   "metadata": {},
   "outputs": [],
   "source": [
    "# Example usage\n",
    "if __name__ == \"__main__\":\n",
    "    # Sample ground truth data in the specified format\n",
    "    sample_ground_truth = [\n",
    "        {\n",
    "            'question': \"Quel est l'impact de l'IA sur la post-production audio et musicale\",\n",
    "            'category': 'LA POST-PROD',\n",
    "            'chunk': '4615db39-1',\n",
    "            'article': '4615db39'\n",
    "        },\n",
    "        {\n",
    "            'question': \"Comment l'IA transforme-t-elle le processus de mixage audio?\",\n",
    "            'category': 'LA POST-PROD',\n",
    "            'chunk': '4615db39-2',\n",
    "            'article': '4615db39'\n",
    "        }\n",
    "    ]\n",
    "    \n",
    "    results = run_evaluation(sample_ground_truth)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 28,
   "id": "6ad44f68",
   "metadata": {},
   "outputs": [
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "Overall Metrics:\n",
      "MRR: 0.5210\n",
      "Hit@1: 0.4691\n",
      "Hit@3: 0.5719\n",
      "Hit@5: 0.5870\n",
      "Hit@10: 0.5979\n",
      "\n",
      "Per-category Metrics:\n",
      "\n",
      "LA POST-PROD:\n",
      "  Count: 1433\n",
      "  MRR: 0.5393\n",
      "  Hit@1: 0.4885\n",
      "  Hit@3: 0.5876\n",
      "  Hit@5: 0.6071\n",
      "  Hit@10: 0.6190\n",
      "\n",
      "LE HOME STUDIO:\n",
      "  Count: 647\n",
      "  MRR: 0.5213\n",
      "  Hit@1: 0.4529\n",
      "  Hit@3: 0.5904\n",
      "  Hit@5: 0.6074\n",
      "  Hit@10: 0.6167\n",
      "\n",
      "LE SOUND DESIGN:\n",
      "  Count: 770\n",
      "  MRR: 0.4866\n",
      "  Hit@1: 0.4468\n",
      "  Hit@3: 0.5273\n",
      "  Hit@5: 0.5325\n",
      "  Hit@10: 0.5429\n",
      "\n",
      "Sample Per-question Metrics (first 5):\n",
      "\n",
      "Question: Quel est l'impact de l'IA sur la post-production audio et musicale\n",
      "Category: LA POST-PROD\n",
      "  Reciprocal Rank: 1.0000\n",
      "  hit@1: 1\n",
      "  hit@10: 1\n",
      "  hit@3: 1\n",
      "  hit@5: 1\n",
      "\n",
      "Question: Comment les outils IA simplifient-ils le travail audio\n",
      "Category: LA POST-PROD\n",
      "  Reciprocal Rank: 1.0000\n",
      "  hit@1: 1\n",
      "  hit@10: 1\n",
      "  hit@3: 1\n",
      "  hit@5: 1\n",
      "\n",
      "Question: Quels avantages l'IA apporte-t-elle aux artistes et créateurs\n",
      "Category: LA POST-PROD\n",
      "  Reciprocal Rank: 0.0000\n",
      "  hit@1: 0\n",
      "  hit@10: 0\n",
      "  hit@3: 0\n",
      "  hit@5: 0\n",
      "\n",
      "Question: Comment un débutant peut-il améliorer ses productions avec l'IA\n",
      "Category: LA POST-PROD\n",
      "  Reciprocal Rank: 0.0000\n",
      "  hit@1: 0\n",
      "  hit@10: 0\n",
      "  hit@3: 0\n",
      "  hit@5: 0\n",
      "\n",
      "Question: Quelle est l'évolution des outils audio pour le home-studio\n",
      "Category: LA POST-PROD\n",
      "  Reciprocal Rank: 0.1667\n",
      "  hit@1: 0\n",
      "  hit@10: 1\n",
      "  hit@3: 0\n",
      "  hit@5: 0\n"
     ]
    },
    {
     "data": {
      "text/plain": [
       "{'overall': {'mrr': 0.5209809371914631,\n",
       "  'hit_rates': {1: 0.4691228070175439,\n",
       "   3: 0.5719298245614035,\n",
       "   5: 0.5870175438596491,\n",
       "   10: 0.5978947368421053}},\n",
       " 'per_category': defaultdict(<function __main__.SearchEvaluator.evaluate.<locals>.<lambda>()>,\n",
       "             {'LA POST-PROD': {'mrr': 0.5392857142857145,\n",
       "               'hit_rates': {1: 0.4884856943475227,\n",
       "                3: 0.5875785066294487,\n",
       "                5: 0.6071179344033496,\n",
       "                10: 0.6189811584089323},\n",
       "               'count': 1433},\n",
       "              'LE HOME STUDIO': {'mrr': 0.5213010542608686,\n",
       "               'hit_rates': {1: 0.4528593508500773,\n",
       "                3: 0.5904173106646059,\n",
       "                5: 0.60741885625966,\n",
       "                10: 0.616692426584235},\n",
       "               'count': 647},\n",
       "              'LE SOUND DESIGN': {'mrr': 0.48664605236033803,\n",
       "               'hit_rates': {1: 0.44675324675324674,\n",
       "                3: 0.5272727272727272,\n",
       "                5: 0.5324675324675324,\n",
       "                10: 0.5428571428571428},\n",
       "               'count': 770}}),\n",
       " 'per_question_metrics': [{'question': \"Quel est l'impact de l'IA sur la post-production audio et musicale\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les outils IA simplifient-ils le travail audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels avantages l'IA apporte-t-elle aux artistes et créateurs\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment un débutant peut-il améliorer ses productions avec l'IA\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est l'évolution des outils audio pour le home-studio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.16666666666666666,\n",
       "    'article_reciprocal_rank': 0.16666666666666666}},\n",
       "  {'question': \"Quels sont les avantages des outils d'assistance IA en post-production pour les débutants\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment les outils d'assistance automatique en composition peuvent-ils aider à améliorer les productions\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il important d'avoir des compétences dans les process audio même en utilisant des outils IA\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les métiers du studio de production ont-ils évolué au cours des dernières décennies',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.2,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': \"Quelle est l'importance de la collaboration entre producteurs audio et artistes dans le contexte actuel\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment l'intelligence artificielle peut-elle améliorer la collaboration entre les artistes et les producteurs audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les avantages de l'utilisation d'un plugin IA pour nettoyer une piste audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Comment l'IA peut-elle aider à réduire la pression sur la charge de travail des ingénieurs du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels types d'outils d'intelligence artificielle sont déjà disponibles sur le marché pour la production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Quel est l'impact anticipé de l'IA sur les flux de travail audio dans les années à venir\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages de la collaboration avec lIA dans la production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment lIA peut-elle générer des riffs de guitare similaires à ceux de musiciens célèbres',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quel est l'impact de lIA sur la distinction entre amateur et professionnel dans le domaine audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles technologies les GAFAM investissent-elles dans lIA pour le secteur audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment lIA contribue-t-elle à personnaliser l'expérience utilisateur en musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les capacités des outils IA dans la création musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'intelligence artificielle influence-t-elle le rôle des producteurs audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Est-il possible que l'IA remplace la créativité humaine en production musicale\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles distinctions entre amateurs et professionnels disparaissent dans le domaine de la musique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel impact l'IA a-t-elle sur l'ingénierie du son et la MAO\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les secteurs qui nécessitent une restauration audio de qualité optimale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le rôle de l intelligence artificielle dans les logiciels de restauration audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Pourquoi le besoin en restauration audio n a pas diminué avec le numérique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels types de logiciels sont mentionnés pour la restauration audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est l impact des progrès numériques sur la production de médias',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les différents types de problèmes audio rencontrés lors d'enregistrements\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'intelligence artificielle est-elle utilisée dans le processus de restauration audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Pourquoi le besoin en restauration audio a-t-il augmenté avec le numérique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est la règle d'or en audio mentionnée dans le document\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels types de bruits peuvent être supprimés par des logiciels de dé-noise',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance de la qualité d'enregistrement initial pour la post-production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les principaux outils de restauration audio mentionnés dans l'enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le machine learning a-t-il amélioré la restauration audio dans les studios',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Qu'est-ce que le dé-mixage et comment est-il utilisé en post-production\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Pourquoi est-il crucial de ne pas compter uniquement sur la post-production pour améliorer le son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': \"Quelles sont les principales fonctionnalités de l'application iZotope RX en restauration audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'impact de l'intelligence artificielle sur la production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': 'Quels types de bruits peuvent être réduits grâce à des plug-ins audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'interface d'iZotope RX aide-t-elle à la restauration audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Qui sont les professionnels qui reconnaissent l'efficacité d'iZotope RX dans le domaine de l'audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la fonction du plug-in audio RX dans la restauration audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'intelligence artificielle améliore-t-elle le dé-mixage dans le studio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quels problèmes audio anciens RX aide-t-il à résoudre lors d'un enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles fonctionnalités offrent les outils de Spectral Repair et Spectral De-noise',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment fonctionne l'outil Repair Assistant intégré dans iZotope RX\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les applications de lIA dans la restauration audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment lIA améliore le processus de demixing audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels défis de separation des sources audio lIA aide t elle à surmonter',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'En quoi le deep learning est il bénéfique pour les logiciels audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quelles techniques traditionnelles limitaient le demixing avant lIA',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les principales techniques utilisées pour le dé-mixage audio dans la production musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'intelligence artificielle améliore-t-elle le processus de restauration audio dans le studio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels sont les différents types de plug-ins audio mentionnés pour la réduction de bruit et de réverbération',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'objectif principal du dé-mixage musical et pourquoi est-il important pour les ingénieurs du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le deep learning contribue-t-il à la séparation des sources dans les fichiers musicaux',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différentes techniques mentionnées pour améliorer la qualité audio lors du dé-mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les principaux défis liés à la récupération des pistes individuelles dans le dé-mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment fonctionne l'outil ISSE pour la séparation de sources audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est le rôle de Deezer dans le développement de l'intelligence artificielle pour le dé-mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment Spleeter se distingue-t-il en tant que solution de dé-mixage audio open source',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les principales fonctions de l'intelligence artificielle dans le dé-mixage audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment Spleeter facilite-t-il le processus de séparation des sources audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'avantage d'utiliser un code open source pour des applications audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différentes plateformes qui utilisent le code Spleeter pour le dé-mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment installer et utiliser le plug-in VST3 de Spleeter dans un logiciel de production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les fonctionnalités de la fonction Music Rebalance dans RX',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment Spleeter est-il utilisé dans Ableton Live',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les avantages du plugin Drumatom d'Accusonus\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi Regroover est-il un outil intéressant pour le dé-mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles marques de plug-ins audio à intelligence artificielle sont mentionnées dans le document',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': \"Quels sont les principaux avantages du plugin Regroover d'Accusonus pour le travail avec des boucles audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le bundle ERA d'Accusonus se compare-t-il à iZotope RX dans le domaine du nettoyage sonore\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels types de fonctionnalités offre le plugin Drumatom pour le dé-mixage de la batterie',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance du deep learning dans le développement des plugins audio par des entreprises comme Zynaptiq\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi la simplicité d'utilisation des plugins est-elle cruciale pour les ingénieurs du son débutants et professionnels\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les avantages des plugins audio pour les créateurs débutants dans la production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le deep learning est-il utilisé dans les plugins de restauration audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les fonctions principales du plugin Unchirp de Zynaptiq',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment Unfilter améliore-t-il l'intelligibilité d'une voix enregistrée\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelle est la fonction de dé-réverbération du plugin Unveil',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les principales fonctions du plug-in Unfilter dans le sound design',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment fonctionne le plug-in Unveil pour la dé-réverbération',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'objectif principal du plug-in Unmix Drums dans le mixage audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment Unveil aide-t-il à maintenir un son naturel lors de la réduction de reverb',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quelles sont les applications possibles pour le plug-in Unmix Drums',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est la fonction principale d'Unmix Drums dans le processus de dé-mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels outils de restauration audio Accentize propose-t-il pour les dialogues',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment Audionamix utilise-t-il la technologie de séparation des sources musicales',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont les différences entre les plugins PreTube et PreFET d'Accentize\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les avantages de la dé-réverbération dans la post-production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les principales fonctionnalités des logiciels développés par la société Audionamix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment l'IA est-elle utilisée pour la restauration audio dans le contexte des vieux enregistrements\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est le but de l'outil Instant Dialogue Cleaner mentionné dans l'enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'En quoi consiste le processus de dé-mixage dans le domaine de la production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les objectifs de Google avec son service Soundfilter pour l'isolement des sons\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les bénéfices de l'utilisation de l'intelligence artificielle dans la post-production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment les plug-ins audio modernes intègrent-ils la technologie de deep learning',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles fonctions peuvent être accomplies par un assistant virtuel dans le mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi iZotope est-il considéré comme un pionnier dans l'utilisation de l'IA dans les plug-ins audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'impact d'un plug-in de mixage intelligent sur le processus de mixage et mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la fonction principale du plug-in Neutron dans le mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'intelligence artificielle est-elle utilisée dans les plug-ins audio selon l'enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les fonctionnalités proposées par le bouton Mix Assistant de Neutron',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi certains utilisateurs trouvent-ils l'assistant intelligent utile même s'il n'est pas parfait\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance de la fonction Balance dans le mixage selon le récit\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quels sont les avantages de lutilisation dun assistant intelligent dans le mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le bouton Masking aide-t-il à résoudre les problèmes de masquage en fréquence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quel rôle joue le deep learning dans le fonctionnement des plug-ins audios innovants',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment lIA aide-t-elle les utilisateurs novices en mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les bénéfices du bouton Learn sur lEQualiseur Neutron',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les principales fonctions de lIA dans le mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment le deep learning aide t il les utilisateurs moins experimentes',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'En quoi les plug in audio intelligents sont ils benefiques',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le role du bouton Assistant dans les plug ins iZotope',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment Ozone se distingue t il comme logiciel de mastering audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'intelligence artificielle est-elle utilisée dans le processus de mixage audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quel est le rôle du bouton Master Assistant dans le logiciel Ozone',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sortes de traitements l'IA choisit-elle pour le morceau une fois l'analyse terminée\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le Repair Assistant de RX aide-t-il à réparer un fichier audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels outils sont disponibles dans le plug-in RX pour la réparation audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels sont les principaux outils de réparation proposés par le Repair Assistant de RX',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment le Vocal Assistant de Nectar contribue t il au traitement de la voix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la spécificité du plug-in Neoverb de iZotope par rapport aux autres plug-ins',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'IA aide t elle dans le choix des réglages dans Neoverb\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'objectif du traitement de masquage dans le plug-in Neutron\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les avantages de l'utilisation de l'intelligence artificielle dans le mixage audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment fonctionne le Reverb Assistant de Neoverb',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les options de réglage disponibles pour la reverb',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est la différence entre Smart:EQ et d'autres EQ comme Gullfoss ou Soothe\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment les plug-ins de Sonible utilisent-ils l'intelligence artificielle dans leur fonctionnement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les principes des plug-ins de Sonible utilisés dans le mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'assistant intelligent analyse-t-il le son lors de l'utilisation du Smart:EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles caractéristiques le système d'intelligence artificielle prend-il en compte pour améliorer le son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la fonction du mode spectral ducking dans le Smart:Comp',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment peut-on ajuster manuellement les paramètres d'un compresseur intelligent\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages du compresseur Smart:Comp par rapport à un compresseur traditionnel',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment la Smart:Reverb crée-t-elle une reverb sur mesure pour chaque son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les caractéristiques innovantes du Smart:EQ 3 sur le marché des égaliseurs',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment les algorithmes du Smart:EQ 3 aident-ils à organiser les pistes dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle fonctionnalité permet au filtre intelligent de Smart:EQ 3 de s'adapter au matériel source\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les fonctionnalités du plug-in Revoice Pro et comment facilitent-elles le travail de post-production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le filtre intelligent de Smart:EQ 3 s'adapte-t-il aux pistes audio dans le mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance de la hiérarchie sonore dans le processus de mixage selon l'enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Comment fonctionne la technologie APT dans Revoice Pro pour transférer les performances audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les avantages de Melodyne par rapport à d'autres outils d'ajustement en pitch selon ce document\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les avantages d'utiliser des plug-ins audio comme Revoice Pro dans le processus d'édition\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment Melodyne de Celemony améliore-t-il la gestion des composants non tonals des sons vocaux',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles caractéristiques d'une note peut-on éditer avec Melodyne\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'En quoi Melodyne facilite-t-il le travail des auteurs-compositeurs et remixeurs',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quel est le principe du procédé APT dans Revoice Pro',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les fonctionnalités de lassistant intelligent dans le mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment lIA aide t elle les auteurs compositeurs dans leur processus créatif',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels types de projets vidéo peuvent bénéficier de la suite de plug ins Alex Audio Butler',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'De quelle manière les instances de plug ins Alex Audio Butler collaborent elles entre elles',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la fonction spécifique du plug in pour les voix dans le mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les types de pistes pour lesquels le plug-in Alex Audio Butler est spécialisé',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le plug-in Voice assure-t-il l'intelligibilité des voix et dialogues\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la fonction principale du plug-in Sound FX en matière de volume',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'avantage de l'assistance IA dans l'Equalizer 4 de Tonebooster\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le bundle Elevate de Eventide se distingue-t-il dans le domaine du Mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les trois types de plug-ins mentionnés dans le bundle de Mastering audio Elevate',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le plugin d'Acustica Audio intègre-t-il l'apprentissage profond dans sa conception\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quelle est la différence entre un mixage automatique et celui basé sur l'approche créative d'un ingénieur du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment les plug-ins intelligents réagissent-ils par rapport aux caractéristiques psycho-acoustiques',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est la méthode utilisée par le plug-in pour apprendre à reproduire les choix de l'ingénieur du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment l'intelligence artificielle est-elle utilisée dans les plug-ins audio selon le document\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la différence entre un plug-in traditionnel et un plug-in intelligent selon le texte',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les données psycho-acoustiques sont-elles exploitées par les plug-ins avec IA',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels types de plug-ins bénéficient déjà de l'intégration de l'IA et du deep learning\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'évolution attendue des plug-ins de mixage et mastering grâce à l'IA\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est limportance de lIA dans les plug-ins audio pour le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont quelques exemples de plug-ins qui utilisent lIA dans leur conception',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment lIA a-t-elle d abord été utilisée dans les plug-ins dEQ',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels autres outils audio bénéficient de lIA en plus des plug-ins dEQ',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel sujet sera abordé dans le prochain article sur lIA en post-production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0.08333333333333333,\n",
       "    'article_reciprocal_rank': 0.08333333333333333}},\n",
       "  {'question': 'Quels sont les types de plug-ins audio mentionnés qui utilisent lIA',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment les plug-ins audio nouvelle génération diffèrent-ils des EQ traditionnels',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle technologie est utilisée pour le traitement dynamique du son dans ces nouveaux plug-ins',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'objectif de l'analyse spectrale dans le traitement du son selon le texte\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment le plug-in Gullfoss analyse-t-il le son par rapport à la perception humaine',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est la principale fonction de l'algorithme FFT dans les traitements audio avancés\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment le plug-in Gullfoss analyse-t-il le son de manière similaire à la perception humaine',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'En quoi le processus IAF de Noveltech Audio se distingue-t-il des égaliseurs conventionnels',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les principales caractéristiques que les concepteurs cherchent à améliorer dans leurs plug-ins audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'interface des plug-ins intelligents est-elle conçue pour faciliter leur utilisation\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les principaux réglages du plug-in Gullfoss qui facilitent son utilisation',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'interface des plug-ins intelligents se compare-t-elle à celle des EQ traditionnels\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est la fonction des réglages 'Recover' et 'Tame' dans Gullfoss\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment l'intelligence artificielle améliore-t-elle le processus de post-production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.14285714285714285,\n",
       "    'article_reciprocal_rank': 0.14285714285714285}},\n",
       "  {'question': \"Quelles sont les différences entre les utilisations correctives et créatives d'un EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les différents objectifs d'utilisation des EQ présentés dans l'article\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment un plugin audio peut-il aider à des tâches créatives dans la production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels problèmes courants peuvent être résolus avec un EQ standard',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi l'utilisation d'un EQ Notch peut-elle endommager le timbre général\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelle est la fonction du plugin Soothe dans le traitement des voix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les fonctions principales des dé-esseurs dans le traitement audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le plugin Soothe se distingue-t-il des plugins conventionnels',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quel est le rôle de l'algorithme FFT dans le traitement du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Pourquoi est-il important de maîtriser les sibilances pour le timbre naturel de la voix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment fonctionne le processus dynamique de réduction dans le Soothe2',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les bénéfices du plugin OD DeEdger dans le traitement audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les plugins nouvelle génération équilibrent-ils le spectre fréquentiel',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est la fonction principale de l'algorithme FFT dans le traitement audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.16666666666666666}},\n",
       "  {'question': 'Pourquoi les utilisateurs qualifient-ils ces plugins de game-changer',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment le traitement de la harshness influence-t-il la musicalité d'une source sonore\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les fonctions principales du plug-in Unfilter dans le traitement audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment le DSEQ 3 utilise-t-il l'intelligence artificielle pour ajuster les paramètres\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quel type de problèmes sonores peut-on résoudre avec un égaliseur dynamique spectral',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'En quoi consiste le masquage en son et comment y remédier dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels avantages offrent les plug-ins de nouvelle génération par rapport aux méthodes traditionnelles',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels sont les avantages du Dynamic Spectral Equalizer dans un mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le Trackspacer de Wavesfactory aide-t-il à remédier aux problèmes de masquage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les fonctions du plugin MSpectralDynamics de Melda productions',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment le SurferEQ de Sound Radix détecte-t-il les fondamentales et harmoniques d'un instrument\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelle technique est souvent utilisée pour résoudre le masquage dans un mixage audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les avantages d'utiliser un égaliseur spectral dynamique dans la production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': \"Comment l'intelligence artificielle aide-t-elle à détecter les notes et leurs harmoniques\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles améliorations peut-on attendre en utilisant des plug-ins avec une technologie d'IA\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il bénéfique de laisser un plugin en configuration set and forget',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment les outils modernes influencent-ils la créativité des ingénieurs du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les avantages du SurferEQ par rapport aux méthodes traditionnelles de correction d'intonation\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment le DeEdger peut-il simplifier le flux de travail d'un ingénieur du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.16666666666666666,\n",
       "    'article_reciprocal_rank': 0.16666666666666666}},\n",
       "  {'question': 'Quelles sont les capacités des algorithmes des nouveaux plug-ins audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment Unfilter se distingue-t-il comme un égaliseur efficace',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi ces plug-ins sont-ils utiles pour des enregistrements de mauvaise qualité',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quels sont les avantages des plug-ins audio comme Unfilter pour les enregistrements réalisés dans des conditions non optimales',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment Unfilter peut-il extraire et appliquer la réponse de filtre d'un son à un fichier différent\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi les outils modernes comme les égaliseurs dynamiques sont-ils devenus essentiels dans la production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est le rôle des DAW dans l'évolution des techniques de production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.125,\n",
       "    'article_reciprocal_rank': 0.125}},\n",
       "  {'question': 'Est-il probable que les EQ traditionnels soient remplacés par de nouveaux outils de traitement du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les outils qui sont devenus des must-have pour le son global',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi les EQ et compresseurs classiques ne doivent-ils pas être oubliés',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les étapes importantes dans la cohérence dun mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment lIA pourrait-elle changer le traitement sonore',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Dans quel domaine lIA s'intègre-t-elle selon le prochain article\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Quel rôle l'intelligence artificielle joue-t-elle dans le processus de mastering audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.16666666666666666,\n",
       "    'article_reciprocal_rank': 0.16666666666666666}},\n",
       "  {'question': 'Quels sont les services en ligne notables pour le mastering audio mentionnés',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment LANDR a-t-il changé la perception des ingénieurs en mastering depuis son lancement',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi les services en ligne de mastering audio sont-ils devenus une option viable pour les artistes',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels impacts l'IA a-t-elle sur le métier d'ingénieur du son selon le document\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quel est l'impact de l'intelligence artificielle sur le métier d'ingénieur son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment Landr se distingue-t-il des studios traditionnels dans le mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les implications de l'utilisation d'algorithmes dans la production musicale\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.14285714285714285}},\n",
       "  {'question': 'En quoi les ingénieurs de mastering peuvent-ils se réinventer en tant que co-producteurs',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'IA aide-t-elle dans la production sans remplacer le contact humain\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les nouvelles opportunités de carrière dans le domaine du mastering avec l'utilisation de l'intelligence artificielle\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Pourquoi le mastering est-il considéré comme un processus technique et coûteux dans le cadre des formats audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le mixage en home-studio influence-t-il les résultats du mastering par un algorithme IA',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'En quoi les plateformes de streaming modifient-elles les exigences du mastering audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance des compétences techniques pour le mastering selon les différents formats audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les préalables nécessaires pour obtenir un bon résultat avec un algorithme d'intelligence artificielle en mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'évolution des outils de mixage audio influence-t-elle la qualité du mixage en home-studio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"En quoi consiste le fonctionnement de l'algorithme de LANDR pour le mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel impact a la diversité des utilisateurs et des contenus sur l'amélioration des algorithmes d'intelligence artificielle\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont quelques exemples de services de mastering automatique disponibles en ligne',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les services en ligne de mastering musical mentionnés dans l'enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment LANDR se distingue-t-il des autres plateformes de mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles options sont disponibles pour orienter l'algorithme vers différents styles de mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le principe de base des plateformes de mastering en ligne',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment iMusician a-t-il évolué dans ses services offerts',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'objectif principal de Landr dans le domaine de la production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment iMusician a-t-il évolué dans ses services au fil du temps',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle technologie est utilisée par l'algorithme de SoundCloud pour le mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les différences majeures entre eMastered et d'autres services de mastering en ligne\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel type de service propose Auphonic et comment se distingue-t-il des autres',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les services offerts par Auphonic dans le domaine de la post-production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment CloudBounce se différencie-t-il des autres services de mastering en ligne',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels types de contenus audio peuvent bénéficier des services d'Auphonic\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle fonctionnalité d'Auphonic aide à restaurer un audio de mauvaise qualité\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'objectif du projet dBounce développé par CloudBounce\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quel est le potentiel du marché de la restauration et de l optimisation audio selon le document',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment fonctionne le service XXL entre Auphonic et Landr',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les implications de l intégration de l IA dans les services de mastering en ligne',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels rôles les utilisateurs peuvent-ils jouer dans le développement de l IA dans l audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment les producteurs de musique peuvent-ils enseigner des compétences spécifiques aux algorithmes d'égalisation\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quel est le rôle principal du make-up gain dans le processus de compression',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la compression affecte-t-elle la dynamique d'un signal audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.16666666666666666}},\n",
       "  {'question': \"Pourquoi est-il important de comprendre le loudness lors de l'utilisation d'un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les courbes de Fletcher & Munson et comment influencent-elles notre perception du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment peut-on tester l'impact du make-up gain sur un extrait musical\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences de son entre les deux extraits musicaux présentés',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment le make-up gain influence-t-il la perception du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la tendance naturelle des auditeurs en matière de volume sonore',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment les courbes de Fletcher & Munson sont-elles liées à la perception du loudness',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quel est le lien entre compression et dynamique musicale dans le contexte du make-up gain',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les erreurs communes que font les débutants lors de l'utilisation d'un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il important d'avoir un niveau perçu constant en compression\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la compression peut-elle influencer la dynamique musicale d'un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.1111111111111111}},\n",
       "  {'question': 'Quel est le rôle du make-up gain dans le processus de compression',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi un mixeur professionnel doit écouter à différents niveaux d'écoute\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Qu'est-ce que le make-up gain et comment est-il utilisé dans le processus de compression dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important d'écouter à différents niveaux d'écoute lors de l'étape du mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment peut-on ajuster le loudness lors de l'utilisation d'un compresseur dans une chaîne de traitement audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est la méthode recommandée pour faire une comparaison A/B lors de l'usage d'un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les ajustements à prendre en compte lors de la réduction de la dynamique grâce à un compresseur',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les effets de la compression sur le volume perçu d'un signal audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment peut-on ajuster le make-up gain pour maintenir un volume constant',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quand est-il préférable d'utiliser des indicateurs LUFS dans le processus de mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi n'est-il pas recommandé d'activer le make-up gain automatique lors de la compression\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les options de réglage du gain en sortie sur le compresseur d'Ableton Live\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'objectif principal du make-up gain dans le processus de compression dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Pourquoi le make-up gain automatique peut-il tromper un utilisateur inexpérimenté',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le make-up gain automatique détermine-t-il la quantité de gain à appliquer',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance de désactiver le make-up gain automatique pour un utilisateur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le contrôle supplémentaire du make-up gain peut-il nuire à l'apprentissage de l'utilisation d'un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les réglages principaux à ajuster sur un compresseur pour maîtriser la plage dynamique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi le make-up gain est-il important dans le processus de compression audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le compresseur peut-il affecter l'aspect vivant d'une musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les conséquences d'une mauvaise utilisation d'un compresseur sur une prise audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les objectifs principaux lors de l'application d'un compresseur sur un morceau de musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est la fonction première d'un compresseur dans le contexte de la réduction de gain\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment la compression dynamique affecte-t-elle la perception du volume subjectif du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de comprendre la dynamique du son avant d'utiliser un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quels bénéfices peut-on obtenir en utilisant un compresseur lors de la production musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.1111111111111111}},\n",
       "  {'question': \"Quelles précautions doit-on prendre lors de l'utilisation de la compression dynamique dans la musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles précautions doit-on prendre lors de l utilisation de la compression dynamique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la fonction principale d un compresseur en traitement audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment agit un compresseur 'downward' sur les niveaux forts\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Qu est-ce que la réduction de gain en dB et comment est-elle mesurée',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels sont les paramètres clés à configurer sur un compresseur pour ajuster le volume',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les paramètres principaux qui déterminent comment et quand le volume est abaissé par le compresseur',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelle est la différence entre la quantité de compression et la réduction de gain',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la réduction de gain varie-t-elle dans le temps pour créer de la compression',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le lien entre la réduction de gain et le loudness dans un signal compressé',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment la compression des parties les plus fortes d'un son affecte-t-elle son loudness\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Quel est le lien entre la réduction de gain et le loudness dans le fonctionnement d'un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il difficile d'écraser la dynamique d'un instrument sans affecter le loudness\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Comment peut-on réellement augmenter l'intensité sonore d'une piste en utilisant un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les trois affichages de niveaux que l'on trouve couramment sur les compresseurs\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment la vitesse de variation de la réduction de gain est-elle influencée par les paramètres Attack et Release du compresseur',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les commandes du compresseur qui affectent la réduction de gain',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la vitesse de variation du GR est-elle influencée par les paramètres du compresseur',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels types de visualisation du GR peuvent être rencontrés dans différents compresseurs',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment peut-on classer la quantité de compression observée lors de l'utilisation d'un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Pourquoi est-il risqué de traduire les observations de compression en chiffres',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les risques liés à la traduction des observations en chiffres dans la compression dynamique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment une compression de 8 dB est-elle considérée dans le mixage stéréo',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences entre une compression légère et une forte compression concernant les instruments',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la quantité de compression généralement considérée comme modérée pour les instruments',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de comprendre le paramètre de make-up gain en sortie de compresseur',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels sont les effets principaux de la compression dynamique sur le son dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la compression dynamique influence-t-elle la consistance d'un son dans une production musicale\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la différence entre la compression dynamique du son et la compression des données audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important pour un débutant de bien comprendre la compression dynamique dans le processus de post-production',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.16666666666666666,\n",
       "    'article_reciprocal_rank': 0.16666666666666666}},\n",
       "  {'question': 'Quels termes faut-il connaître pour aborder les compresseurs dans la production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences entre la compression dynamique du son et la compression des données audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la compression dynamique du son influence le niveau de loudness d un enregistrement audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi la normalisation des niveaux audios est elle importante pour les plateformes de streaming',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les pré-requis indispensables à l utilisation d un compresseur en post-production',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les bonnes pratiques à suivre lors de la compression dynamique du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les conséquences directes de la réduction de gain sur la dynamique du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le make-up gain influence-t-il le volume perçu',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quels sont les pièges à éviter lors de l'utilisation d'un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi est-il important de visualiser la réduction de gain en temps réel',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les applications créatives de la compression dynamique dans la production musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages de la réduction de la dynamique dans la production musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la forme d'onde aide-t-elle à déterminer l'utilité de la compression\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels sont les différents types de compresseurs disponibles et leurs applications',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi est-il important de bien écouter les effets de la compression sur le son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"En quoi la compression dynamique peut-elle être néfaste si elle n'est pas maîtrisée\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les difficultés liées à l'écoute des effets de la compression dynamique du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Pourquoi est-il important de s'entraîner à l'écoute pour la compression dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les éléments abordés dans les futurs épisodes du podcast sur la compression dynamique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la compression dynamique du son influence-t-elle le caractère sonore et la consistance',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quels conseils sont donnés pour mieux apprivoiser son compresseur en audio post-production',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les principaux types de processeurs de dynamique mentionnés dans l'enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Pourquoi est-il important de comprendre la dynamique du son dans la création musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.2,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': \"Comment la plage dynamique d'un morceau orchestral est-elle décrite dans l'enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quelle solution est proposée pour réduire la plage dynamique d'un morceau sonore destiné à un vinyle\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel était le but initial de l'utilisation d'un compresseur dans le traitement audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quelles sont les manières de modifier la plage dynamique dans une production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences entre la compression downward et upward',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment fonctionne un expandeur dans le processus d'augmentation de la dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance de la réduction de la plage dynamique dans les supports analogiques\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Dans quel contexte utilise-t-on un limiteur dans le traitement audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont les différences entre l'expandeur downward et upward dans le traitement de la dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les principaux processeurs de dynamique utilisés en post-production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment fonctionne un limiteur et quelle est sa différence avec un compresseur',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est le rôle d'un gate dans le traitement du signal audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment le processeur 'Multiband Dynamics' d'Ableton Live permet-il de modifier la dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les principaux types de processeurs de dynamique mentionnés dans le document',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment un limiteur se différencie-t-il d'un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"En quoi le 'gate' et l'expandeur se ressemblent-ils dans leur fonctionnement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est le rôle d'un ducker dans le traitement des niveaux sonores\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de maîtriser les variations dynamiques du signal audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les différents types de processeurs de dynamique mentionnés dans l'enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.2,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': \"Quelle est l'importance de l'automation en volume d'une piste vocale dans le traitement audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment fonctionne un compresseur dans le contexte des processeurs de dynamique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Qu'est-ce que le side-chain et quel est son rôle dans le fonctionnement d'un processeur de dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment les réglages d'un processeur de dynamique peuvent-ils être inter-connectés entre eux\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la différence entre le side-chain et la fonction de side-chain externe',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels réglages sont importants pour le traitement du signal dans un processeur de dynamique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la visualisation de la réduction de gain aide un novice en son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les caractéristiques des différents types de processeurs de dynamique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels paramètres temporels influencent la vitesse du traitement du signal',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont les variations que l'on peut observer pendant l'utilisation d'un processeur de dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le compresseur compense la réduction de gain pour maintenir le volume perçu',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est l'importance des paramètres d'Attack et de Release dans le réglage d'un processeur de dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Qu'est-ce qu'un diagramme de transfert et comment représente-t-il l'action d'un processeur sur le signal\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment un processeur de dynamique altère-t-il le signal audio en fonction du ratio Input:Output',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le ratio affecte-t-il la relation entre le signal d'entrée et le signal de sortie\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la définition du seuil de détection dans un compresseur ou un expandeur',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Qu'est-ce que signifie un système non-linéaire dans le contexte des processeurs de dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la modification du signal par un compresseur peut-elle affecter le niveau en sortie',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les principales caractéristiques qui déterminent le seuil de détection du signal dans un compresseur',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le ratio affecte-t-il le fonctionnement d'un compresseur en fonction des niveaux audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important d'ajuster le seuil de détection du signal en fonction du contenu audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les impacts des réglages des paramètres temporels sur le son final',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'En quoi un compresseur peut-il être influencé par la manière dont un son est joué',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les paramètres importants à ajuster pour obtenir le résultat sonore final',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment la vitesse d’action d’un processeur influence-t-elle le groove ou la musicalité',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelle est la différence entre un compresseur downward et un limiteur',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Que signifie la réduction de gain et comment les paramètres affectent-ils ce processus',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la fonction d’un gate dans le traitement des niveaux sonores',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les types d’expandeurs mentionnés dans le document et comment fonctionnent-ils',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la différence entre un expandeur et un gate en termes de fonctionnement',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le ducker influe-t-il sur les niveaux audio selon le seuil fixé',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il essentiel de comprendre les processeurs de dynamique dans la production musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quelles sont les difficultés liées à l'écoute des effets des processeurs de dynamique sur le son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels sont les paramètres qui permettent de contrôler les processeurs de dynamique en post-production',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment les changements d'un paramètre affectent-ils les autres réglages dans le traitement dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il difficile d'entendre les effets des processeurs de dynamique comparativement à d'autres effets comme les filtres ou la reverb\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les applications créatives possibles lors de l'utilisation des outils de dynamique au mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment l'expérience influence-t-elle l'écoute critique des variations dynamiques sur le son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi est-il important d'ajuster l'équilibre dynamique de la musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences entre niveau relatif et niveau absolu',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la manipulation de la dynamique influence-t-elle l'énergie d'un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'À quelles étapes du processus de production doit-on gérer les dynamiques',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.2,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': 'Pourquoi est-il crucial de ne pas dépasser le 0dBFS dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les différences entre le niveau absolu et le niveau relatif dans un projet sonore',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de considérer l'équilibre des niveaux des instruments avant le mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment peut-on écouter les différences de niveaux de manière objective',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est le rôle de l'automation de volume dans la gestion des niveaux sonores\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment définir un bon équilibre de niveau relatif selon les goûts personnels',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment peut-on apprendre à écouter les différences de niveaux de manière objective dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les raisons objectives pour ajuster les niveaux des instruments dans un morceau',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Que signifie faire la mise à plat au début du mixage dans le processus de post-production',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment évaluer si un instrument est trop fort ou pas assez fort dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi l'importance d'un instrument peut influencer l'équilibre dynamique dans un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les raisons objectives dajustement des niveaux dans un morceau',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment limportance dun instrument peut-elle affecter le mélange global',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'En quoi larrangement est-il lié aux réglages de volumes des instruments',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il important de préserver la dynamique générale d'un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment chaque instrument peut-il influencer l'ambiance générale d'une musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les différentes sections d'un morceau musical que l'on doit prendre en compte lors de la gestion de l'équilibre dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment l'arrangement affecte-t-il la perception des niveaux sonores des instruments dans un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de créer des variations de niveau sonore durant un morceau',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment éviter une monotonie dans un morceau tout en préservant la dynamique générale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels exemples de morceaux illustrent une bonne gestion de l'équilibre dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences entre le LRA et le Dynamic range concernant la mesure des niveaux sonores',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment une forte montée de niveau dans une introduction musicale peut-elle affecter l'écoute\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi est-il important d'ajuster le niveau d'instruments pour éviter le masquage dans un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'impact de l'automation de volume sur l'équilibre dynamique d'une composition\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la mise à plat contribue-t-elle à la gestion des niveaux dans un projet de post-production',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les risques associés à l'augmentation du volume d'un instrument spécifique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il préférable d'ajuster par diminution plutôt que par augmentation du volume\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment un EQ peut-il aider à améliorer la définition d'un instrument\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quelles stratégies de mixage peuvent faire ressortir un élément sans augmenter son volume',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment les performances instrumentales influencent-elles l'équilibre dynamique d'un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les façons de modifier subtilement le son d'un instrument pendant une performance\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment le jeu du musicien influence-t-il la plage dynamique naturelle d'un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de bien positionner les faders de volume avant le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment fonctionne l'automation de volume et quel est son impact sur le mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment peut-on ajuster les niveaux entre le couplet et le refrain dans un morceau',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment puis-je utiliser l'automation de volume dans un arrangement musical\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences entre macro-dynamique et micro-dynamique dans la musique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment définir le niveau sonore sur la piste Master lors du Mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"En quoi consiste le contrôle de la forme dynamique de l'onde sonore\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment puis-je modifier le timbre d'un son en jouant sur les paramètres d'attaque, de Sustain et de Release\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment peut-on contrôler la forme dynamique de londe sonore dans un enregistrement',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les caractéristiques d'une transitoire dans un son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi est-il important de considérer le son au niveau micro-dynamique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment manipuler les transitoires pour améliorer le punch ou limpact dun morceau',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"De quelle manière la performance du batteur influence-t-elle le niveau dynamique d'un kick\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le kick dans le morceau Smells Like Teen Spirit contribue-t-il à l'équilibre dynamique de la musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les difficultés liées à la gestion du volume pour les prises de voix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment la performance d'un musicien peut-elle influencer les fluctuations de niveau dans un enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de garder l'aspect humain dans les performances musicales\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont les solutions pour gérer les variations de niveau dans le mixage d'un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les variations de niveau qui peuvent affecter un mixage de musique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment lautomation de volume peut-elle stabiliser une voix dans un mix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels outils peuvent être utilisés pour modifier la dynamique de manière automatisée',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Pourquoi est-il important de garder le contenu musical dorigine dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment la dynamique peut-elle influencer l'écoute de l'auditeur dans un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Quels sont les éléments à considérer avant d'utiliser des EQ ou des compresseurs dans la gestion de l'équilibre dynamique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la dynamique peut-elle influencer l'expérience de l'auditeur au cours du mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Pourquoi est-il important de rester fidèle au contenu musical d'origine lors de la post-production\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles compétences sont nécessaires pour ajuster la sonorité des instruments de manière avancée',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment l'automation de volume peut-elle améliorer l'équilibre dynamique dans un mix\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les considérations importantes avant de traiter la largeur stéréo',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le choix des enceintes ou du casque influence-t-il la perception de la stéréo',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il crucial de trouver un équilibre dans le mixage stéréo',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'En quoi le type de son joue-t-il un rôle dans le positionnement stéréo',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les effets recherchés en manipulant la largeur stéréo selon différents genres',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les différences de perception sonore entre l'écoute au casque et l'écoute sur enceintes\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il difficile de juger les décisions de panoramique uniquement avec des écouteurs',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels problèmes peut-on rencontrer en utilisant des effets comme la reverb au casque',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Est-il recommandé de mixer exclusivement au casque ou aux enceintes',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de vérifier son mixage sur les deux types d'écouteurs\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est l'importance de vérifier le mixage à la fois sur des enceintes et un casque\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la notion de contraste influence le rendu sonore d'un mix\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il conseillé d'utiliser un bon casque lors du mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment créer une sensation de largeur dans un refrain par rapport aux couplets',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel effet a un mixage équilibré par rapport à un mixage avec des hautes fréquences agressives',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les considérations à prendre en compte pour créer une largeur stéréo dans un mix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la largeur stéréo influence-t-elle la perception de profondeur dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance de la panoramique dans le traitement des éléments sonores\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment peut-on rendre un refrain plus large par rapport aux couplets dans un mix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quel est le principe de la dichotomie largeur/profondeur en mixage sonore',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les réglages importants pour améliorer la largeur stéréo dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la gestion de la profondeur affecte-t-elle la perception d'un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': \"Quelles sont les causes d'un déséquilibre dans l'image stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi le mixage presque mono est-il courant dans le hip-hop',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment éviter de déplacer chaque signal stéréo à l'extrême lors du mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les conséquences d'un mixage déséquilibré sur la largeur stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'arrangement des instruments influence-t-il la largeur stéréo du mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important d'ajuster le panoramique pour résoudre les problèmes de largeur stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel rôle jouent les hautes fréquences dans l'équilibre fréquentiel d'un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment identifier un panorama stéréo manquant dans un mixage dense',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de surveiller la balance tonale lors des ajustements de panoramique et de largeur stéréo',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'utilisation d'un EQ en mode mid/side peut-elle aider à affiner l'équilibre en fréquences dans le mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels effets négatifs peuvent survenir en utilisant une largeur stéréo excessive dans les basses fréquences',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le traitement EQ ou le side-chaining peut-il aider à gérer les fréquences qui se chevauchent entre divers instruments',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il recommandé de rendre certains éléments moins importants plus larges dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il important d'éviter la largeur stéréo dans les basses fréquences\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les effets négatifs d'une basse large sur le mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quel est l'impact de la compatibilité mono sur le mixage audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi de nombreux espaces publics utilisent-ils des systèmes de sonorisation mono',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la configuration des haut-parleurs d'un smartphone affecte-t-elle l'écoute de la musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages de mixer en mono pour améliorer la largeur stéréo',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'espacement des haut-parleurs affecte-t-il l'image stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels outils peuvent être utilisés pour traiter la largeur stéréo',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de considérer l'écoute en mono dans le mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment les conditions d'écoute peuvent-elles influencer la perception de la stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Quelles sont les conséquences de basculer en mono sur la largeur stéréo d'un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le panoramique peut-il être utilisé pour améliorer l'image stéréo d'une piste\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Qu'est-ce que l'effet autopan et comment peut-il être appliqué à des hi-hats électroniques\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de garder l'équilibre de l'image stéréo lors du changement de panoramiques\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la reverb contribue-t-elle à créer une perception d'espace dans le son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quels sont les aspects importants à considérer pour la largeur stéréo dans la post-production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la reverb influence-t-elle la perception de la largeur et de la profondeur du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quelles sont les étapes de configuration de l'effet Haas pour améliorer la largeur stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de ne pas fatiguer l'auditeur lors de l'utilisation d'effets sur une longue durée\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels types de reverb existent et comment choisir celui qui convient le mieux à un projet audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quelles sont les considérations à prendre en compte pour la largeur stéréo dans la post-production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment peut-on créer une sensation d'une large piste stéréo sans altérer le timbre\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de vérifier la compatibilité mono lors de l'utilisation d'effets de largeur stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle technique peut-on utiliser pour équilibrer une piste audio entre deux enceintes',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment le micro-shifting peut-il être utilisé dans le doublage des pistes',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont les techniques pour créer une sensation de temps et d'espace sur des pistes audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment utiliser le micro-shifting pour augmenter la largeur stéréo dans un mix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance d'ajuster le gain lors de l'utilisation du micro-shifting\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment un plugin d'élargissement stéréo peut-il simplifier le processus d'augmentation de la largeur stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Dans quelles situations est-il courant d'utiliser un plugin d'élargissement sur la piste Master\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les techniques de traitement pour la largeur stéréo',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment utiliser le delay pour élargir une piste vocale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle importance a la gestion de la largeur stéréo dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il recommandé de tester des techniques simples avant d'utiliser des plugins\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment élargir une zone de fréquence générale lors du mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quest ce que limage stereao en audio et comment est elle percue entre les hauts parleurs',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est il important de considerer limage stereao lors du mixage audio professionnel',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment la largeur stereao est elle utilisee pour creer une ambiance differente dans une musique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quel est limpact du panoramique sur limage stereao et comment cela affecte t il le son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Comment fonctionne le son binaural et quel est son lien avec limage stereao',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le cerveau perçoit-il la localisation du son en utilisant nos deux oreilles',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les trois paramètres impliqués dans la différence de son entre les oreilles droite et gauche',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Qu'est-ce que le terme binaural signifie dans le contexte de l'audition\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le délai entre les sons affecte-t-il l'image stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi un panning complètement d'un côté n'est-il pas naturel dans l'audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont les différences dans la perception du son entre l'écoute au casque et l'écoute sur enceintes\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment le temps et la phase influencent-ils la perception du son entre les deux oreilles',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quel est le rôle des fréquences hautes dans la perception binaurale du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment une tête factice peut-elle simuler la perception auditive humaine',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les éléments nécessaires pour créer un effet binaural réaliste lors de l'enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les principales différences entre l'écoute au casque et sur des enceintes en matière de perception stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment le délai entre les haut-parleurs affecte-t-il la localisation d'une source sonore\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Qu'est-ce qu'une source virtuelle et comment se distingue-t-elle d'une source réelle\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi la configuration stéréo ne permet-elle pas une simulation parfaitement binaurale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment peut-on définir une image stéréo en relation avec le son Mono et le son Stéréo',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment une configuration stéréo avec deux haut-parleurs influence-t-elle la perception du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Qu'est-ce qu'une source virtuelle dans le contexte de l'image sonore\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment est créé un centre fantôme à partir de deux enceintes',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance du sweet spot pour un ingénieur du mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le positionnement d'un auditeur affecte-t-il la qualité de l'écoute stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Qu'est-ce que le point idéal d'écoute et pourquoi est-il important en mixage audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quels sont les facteurs qui influencent la largeur stéréo dans une production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment le panoramique affecte-t-il le volume des différentes sources sonores dans un mix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est l'importance du temps et du delay dans la création d'une image stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi est-il essentiel de considérer plusieurs dimensions lors de la création d'une image stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment intégrer un morceau de référence dans ma session de mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de router la sortie audio de la référence vers le Master',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles conditions doivent être remplies pour réaliser un test A/B',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment effectuer une écoute comparative de mon mixage avec une référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi ne dois-je pas ajouter de traitements audio sur le Master lors de l'écoute comparative\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les étapes à suivre pour router la sortie audio vers un bus Master indépendant',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment aligner l'audio de mes références avec mon mixage durant le test A/B\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le rôle de la fonction Solo dans le processus de test A/B',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de garder la référence mutée lors de l'écoute du mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment utiliser les marqueurs pour gérer la lecture de mes pistes de référence dans la DAW',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les étapes pour caler les audios de mes références dans ma session',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de comparer les niveaux sonores de la référence et du morceau à mixer',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment faire un level match pour l'écoute de mes morceaux\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels outils puis-je utiliser pour mesurer les niveaux de loudness perçu',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelle est la méthode pour positionner un marqueur pour jouer ma référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le niveau de gain à diminuer sur la piste Référence pour le test A/B',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment ajuster le niveau de gain de la piste Référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance du niveau de loudness dans un test A/B\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les solutions pour choisir une référence de qualité pour le test A/B',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment utiliser un limiteur sur le Bus Master lors du test A/B',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'objectif principal de garder le mixage final sans traitement avant mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment fonctionne un plugin dédié à lécoute comparative dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi est-il important de calibrer ses oreilles avant de commencer un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quel est le rôle des pauses pendant le travail de mixeur',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment effectuer un test A/B sur des éléments spécifiques dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les questions à se poser lors d un test A B dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment effectuer une comparaison A B efficace entre son mix et une référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels domaines doit on vérifier lors de l évaluation de son mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi est il important de faire des pauses lors de l écoute de sa référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la pratique du référencement améliore t elle la qualité du mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les critères importants pour choisir des morceaux de référence en mixage et mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment une liste de morceaux de référence doit-elle évoluer au fil du temps',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il essentiel de comprendre la différence entre goûts personnels et qualité objective',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment l'écoute critique aide-t-elle à améliorer les compétences en mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Quelle est l'importance de l'analyse objective dans l'apprentissage du mixage de morceaux\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les étapes pour analyser un morceau de référence lors du mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de développer son écoute critique en sound design',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.2,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': 'Comment créer une liste personnelle de morceaux de référence pour le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages de choisir un morceau de référence similaire au son recherché par un client',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles caractéristiques doivent être considérées pour sélectionner un morceau de référence approprié',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les critères pour choisir un morceau de référence dans la post-production',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Pourquoi est-il important de choisir des références du même genre musical',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment une référence pour un instrument spécifique peut-elle aider au mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel rôle joue la reverb dans le choix des morceaux de référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment se tenir au courant des évolutions des styles de mixage en matière de références',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment peut-on utiliser la technique de référence pour différents instruments dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de choisir des morceaux de référence en dehors de ses goûts musicaux',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel rôle joue le contenu en reverb dans l'ambiance d'un morceau au mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment savoir si un mixage sonne bien par rapport à une référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels critères doivent caractériser un morceau de référence idéal pour un ingénieur du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les éléments qui définissent un morceau de référence idéal pour le sound design',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Pourquoi est-il important de choisir un format audio non compressé pour les morceaux de référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel type de mixage est considéré comme de haute qualité professionnelle',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment un bon mixage influence-t-il l'expérience d'écoute et le travail de post-production\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.07692307692307693}},\n",
       "  {'question': 'Quels sont les critères à prendre en compte pour établir une liste de morceaux de référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les caractéristiques d'un bon mixage sonore\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi la dynamique est-elle importante dans une production musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment choisir un morceau de référence en fonction de sa qualité sonore',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels éléments doivent être présents dans une référence musicale universelle',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la relation entre le style de musique et le style de mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels types d'instruments devrais-je inclure dans ma liste de références pour le mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment éviter que ma liste de références ne devienne contre-productive',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important d'écouter des morceaux dans des styles différents\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment puis-je choisir mes propres mixages comme références',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'avantage d'utiliser un mixage non masterisé comme référence\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quels sont les avantages de choisir des morceaux de référence non masterisés',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment une écoute répétée des morceaux de référence peut-elle aider à améliorer les compétences en mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel type de morceaux devrait-on inclure dans une liste de références variée',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment peut-on constituer une liste efficace de morceaux de référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de connaître un morceau sur le bout des doigts pour l'utiliser comme référence en mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quelles sont les compétences nécessaires pour réussir en mixage et mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment définir un morceau de référence en post-production musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi l'écoute critique est-elle essentielle pour un ingénieur du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.2,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': 'Quel rôle jouent les morceaux de référence dans le processus de mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment évaluer la qualité d'un système de reproduction audio avec un morceau de référence\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Qu'est-ce qu'un morceau de référence en post-production\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi utiliser des morceaux de référence pour apprendre le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment les morceaux de référence peuvent-ils améliorer mes compétences en mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est le risque d'utiliser un morceau de référence pour imiter un son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Pourquoi est-il important de compiler sa propre liste de morceaux de référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de créer une liste de morceaux de référence en post-production',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'écoute critique peut-elle améliorer mes compétences en mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': \"Quel exercice peut m'aider à apprendre le mixage en tant que débutant\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment utiliser un morceau de référence pour redéfinir mes objectifs de mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les effets de la fatigue auditive sur le jugement lors du mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il important d'utiliser des morceaux de référence pour calibrer ses oreilles lors de longues sessions de mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la fatigue auditive peut-elle influencer notre jugement sonore pendant le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"En quoi les morceaux de référence aident-ils dans des environnements d'écoute nouveaux ou inconnus\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il bénéfique de se référencer à des enregistrements tests avant de commencer le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'objectif principal d'utiliser des morceaux de référence à la fin du processus de mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'objectif principal de l'utilisation de morceaux de référence en post-production\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment un morceau de référence aide-t-il à juger du niveau des basses',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi un bon mixage professionnel doit-il être bon sur tous les systèmes d'écoute\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Dans quelle mesure un morceau de référence influence-t-il la créativité d'un ingénieur du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment les morceaux de référence peuvent-ils contribuer à l'évaluation des enceintes avant achat\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les circonstances idéales pour utiliser un morceau de référence en mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment un morceau de référence peut-il aider à calibrer les oreilles pendant la session',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de ne pas copier un morceau de référence au détail près',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels aspects techniques doit-on analyser lors de la comparaison avec un morceau de référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment la balance tonale influence-t-elle le mixage final',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.16666666666666666,\n",
       "    'article_reciprocal_rank': 0.16666666666666666}},\n",
       "  {'question': \"Quels sont les moments appropriés pour utiliser un morceau de référence lors d'une session de mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment évaluer la balance tonale de mon mixage par rapport au morceau de référence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi est-il important de comparer la dynamique de mon mixage avec celle d'une référence\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les considérations à prendre en compte lors de l'évaluation de l'espace stéréo et de la reverb\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment prendre des décisions informées concernant les éléments de mon mixage en comparant avec des références',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les avantages d'utiliser des morceaux de référence en post-production\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la balance tonale influence-t-elle le choix d'un morceau de référence\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Quelle est l'importance de l'écoute critique dans le processus de mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.14285714285714285}},\n",
       "  {'question': 'Comment la comparaison A/B peut-elle améliorer la qualité de votre mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quelles décisions importantes doit-on prendre en utilisant des références lors du mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quels sont les avantages du traitement EQ dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi il est déconseillé d'utiliser des presets pour l'EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les erreurs à éviter lors du traitement EQ',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment un débutant peut-il apprendre à traiter le son avec une intention',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quel est l'impact d'une mauvaise manipulation sur la balance tonale d'un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les bonnes pratiques à suivre lors du traitement EQ en mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Pourquoi est-il important de traiter le son avec une intention',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment identifier les fréquences pour un son spécifique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels outils peuvent aider à l'apprentissage des bandes de fréquences\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il essentiel de s'exercer pour améliorer ses compétences en mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': \"Quelles applications ou sites sont recommandés pour s'entraîner sur le traitement EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il conseillé d'utiliser l'EQ avec ses oreilles et non visuellement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est la bonne place de l'EQ dans la chaîne de traitement selon les mixeurs\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'impact des basses fréquences sur le compresseur dans la chaîne de traitement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment nettoyer le son dans un mix avant d'appliquer un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelle est la première étape à réaliser pour nettoyer le son lors du mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quels problèmes peuvent causer les basses fréquences dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment doit-on placer un traitement EQ qui colorie le son dans la chaîne de traitement',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important d'éviter d'abuser de la fonction Solo en mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Dans quels cas est-il indispensable d'égaliser en solo pour le mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les précautions à prendre lorsque l'on égalise un son en solo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Pourquoi est-il parfois nécessaire d'égaliser en solo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment ajuster le niveau de sortie après un traitement EQ',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance de la fonction True bypass dans le traitement EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment déterminer si un traitement EQ a réellement amélioré le son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de maintenir l'équivalence de niveau avant/après lors du traitement EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le concept de 'True bypass' influence-t-il notre perception du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels outils peuvent aider à ajuster automatiquement le volume lors du traitement EQ',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment éviter d'être influencé par un volume plus fort lors de l'évaluation des traitements appliqués\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les avantages de la fonction Autogain dans les plugins EQ',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il recommandé d'utiliser un EQ sur 5 bandes maximum\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Que faire si l'enregistrement audio est de mauvaise qualité\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment éviter de passer trop de temps sur le réglage de l'EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi est-il important de se référer à des exemples lors du mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.125,\n",
       "    'article_reciprocal_rank': 0.125}},\n",
       "  {'question': 'Pourquoi est-il important de faire des pauses lors du traitement EQ en mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les problèmes potentiels liés à une écoute prolongée en mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0.06666666666666667,\n",
       "    'article_reciprocal_rank': 0.06666666666666667}},\n",
       "  {'question': 'Comment les références musicales peuvent-elles aider dans le processus de mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelle est la différence entre un traitement EQ soustractif et un traitement EQ par boost',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi est-il recommandé de privilégier l'EQ en soustractif pour les débutants\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les raisons pour lesquelles il est parfois préférable de creuser plutôt que de booster des fréquences en mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'effet de contraste est-il lié au traitement EQ dans le mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de garder un headroom intact lors du traitement EQ',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages de couper des fréquences plutôt que de les augmenter dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment un filtre High Pass peut-il être sur-utilisé et quel impact cela peut-il avoir sur la musique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les effets négatifs possibles de l'utilisation d'un niveau augmenté dans le traitement EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': 'Pourquoi est-il important de ne pas sur-utiliser le filtre High Pass dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment une pente trop raide sur un filte High Pass peut-elle affecter le son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est une bonne pratique lors de l'utilisation d'un filtre High Pass sur des éléments de basse fréquence\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont d'autres options à explorer avant de choisir d'utiliser un filtre High Pass dans un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les bonnes pratiques pour utiliser un filtre high-pass dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le niveau de panoramique peut-il influencer la clarté d'un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de connaître le comportement de mes enceintes dans le bas du spectre',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Dans quelles situations utilise-t-on un filtre low-pass',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelle est la différence entre un filtre shelf et un filtre pass dans le traitement audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Quelles sont les bonnes pratiques pour utiliser le filtre shelf en mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le filtre high-pass peut-il être associé au filtre low-shelf',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il important d'utiliser un EQ paramétrique pour les médiums\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la différence entre un EQ correctif et un EQ paramétrique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment éviter d'abuser du high shelf sur toutes les pistes\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la différence entre un EQ correctif et un EQ utilisé pour le boost',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment un EQ à émulation analogique comme le Pultec influence t il le son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est il important d'utiliser des boosts larges mais modérés en EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les fonctionnalités supplémentaires des EQ dynamiques et M/S',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Quelle est la principale intention à avoir lors du traitement du son avec un EQ',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les principales utilisations des EQ en mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment définir une bonne balance tonale dans un mix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels facteurs influencent la perception de la balance tonale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Pourquoi un mix peut-il sonner différemment selon l'environnement d'écoute\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quel est l'impact de la technologie sur la couleur sonore à travers les époques\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment peut-on définir une balance tonale objective dans un mixage de musique moderne',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle règle peut-on utiliser pour comprendre l'équilibre entre les fréquences graves et aiguës\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'arrivée du digital a-t-elle influencé les extrêmes basses dans la musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi les opinions des ingénieurs sur un mixage peuvent-elles être similaires',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment la couleur sonore affecte-t-elle l'équilibre fréquentiel dans un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les deux catégories de fréquences à équilibrer pour une bonne balance tonale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle règle simple peut-on suivre pour respecter l'équilibre entre les fréquences basses et aiguës\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment la courbure d'EQ sous forme de smiley affecte-t-elle le mixage d'un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels problèmes peuvent survenir si les extrêmes graves et aiguës ne sont pas correctement équilibrés',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi les médiums entre 2500 et 5000 Hz sont-ils particulièrement importants dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont les principales problématiques liées à l'équilibre fréquentiel dans un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi un mixage peut-il devenir trop léger ou boomy',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment améliorer la définition d'un instrument dans un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quel est l'impact d'un excès de hautes fréquences sur un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi est-il important de laisser une marge de manœuvre en haute fréquence pour le mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont les conséquences d'un excès de hautes frequences lors du mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi est-il important de prêter attention aux basses frequences dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment un mixage légèrement terne peut-il être corrigé en mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les problèmes fréquents liés aux basses frequences dans les home studios',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment la séparation et la definition des elements du mixage dépendent-elles des bas mediums',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les conséquences du travail sur la balance tonale d un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment les extrêmes aiguës et basses affectent ils la définition des éléments dans un mix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est il important de connaître quel élément contribue à quelle partie du spectre',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment peut on éviter le masquage entre les instruments dans un mix',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.14285714285714285,\n",
       "    'article_reciprocal_rank': 0.14285714285714285}},\n",
       "  {'question': 'Quels sont les signaux d un bon équilibre fréquentiel dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les éléments qui influencent le contenu dans le bas du spectre fréquential',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment les extrêmes graves et aiguës doivent-ils être équilibrés pour une bonne balance tonale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"En quoi l'écoute de références musicales aide-t-elle à améliorer le traitement EQ du mix\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.1,\n",
       "    'article_reciprocal_rank': 0.1}},\n",
       "  {'question': \"Pourquoi est-il important d'avoir un système d'écoute neutre et étendu en fréquence\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est l'importance du DJing dans l'apprentissage de l'équilibre musical\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les types de plugins EQ disponibles dans les DAW et ceux provenant de sociétés tierces',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences entre les plugins EQ avec un traitement unique et ceux à émulation analogique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'exemple d'un plugin EQ modélisant un equipment analogique célèbre\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de connaître l'histoire des traitements EQ en musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les conseils à suivre pour choisir le bon type de plugin EQ',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les premiers outils qui ont révolutionné le son des productions musicales dans les années 70',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est la particularité de l'EQ Pultec et pourquoi a-t-il eu un tel succès dans l'industrie musicale\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les premiers EQ analogiques ont-ils influencé le mixage et la reproduction sonore',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles différences existe-t-il entre un EQ passif et un EQ actif dans le traitement du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important d'écouter un EQ plutôt que d'essayer de décrire son effet sur le son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les types de consoles analogiques mentionnés dans le document',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'EQ Neve 1073 est-il décrit en termes de son et de caractéristiques\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance de la console SSL dans l'histoire de l'EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les EQ fabriqués par API et leurs spécificités',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le terme magique est-il utilisé pour décrire l'effet de l'EQ sur le son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les types de plugins EQ mentionnés dans le document',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la différence entre un EQ actif et un EQ passif',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les noms des EQ hardware cités dans le texte',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment le Pultec affecte-t-il les fréquences environnantes lorsqu'on ajuste l'EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le rôle des composants dans un EQ passif selon le document',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les différents types d EQ mentionnés dans l enregistrement',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment fonctionne le Q lors de l augmentation de la fréquence sélectionnée',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelle est la différence entre un EQ passif et un EQ actif',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel impact la conception d un EQ actif a t elle sur la fréquence et la largeur de bande',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment une opération de filtrage dans un EQ affecte t elle la phase du signal',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les effets liés à la rotation de phase lors de l'utilisation d'un EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles caractéristiques distinguent les plugins EQ à phase linéaire des autres types',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels avantages et inconvénients présente l'audio numérique par rapport à l'analogique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment regrouper les pistes dans un bus pour effectuer un traitement EQ efficace',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance des courbes de réponse en phase et pourquoi sont-elles souvent ignorées\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages des EQ numériques par rapport aux EQ analogiques',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les plugins EQ contribuent-ils à améliorer le son dans la post-production audio',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quelle est l'importance de la flexibilité dans la conception des EQ numériques\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les problèmes fréquents rencontrés avec les EQ hardware analogiques',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il difficile de reproduire les fonctionnalités des EQ numériques dans un format analogique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les types d EQ mentionnés dans le document',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': 'Comment l egalisation a t elle changé avec les EQ numériques',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les fonctionnalités des EQ intégrés dans une DAW',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages d un EQ neutre par rapport à d autres types',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le principal inconvénient des filtres à phase linéaire',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les deux types principaux de filtres numériques utilisés dans les EQ',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quels compromis doivent faire les concepteurs de plugins EQ concernant la phase et les ressources',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi un EQ à phase linéaire peut-il introduire des artefacts de pre-ringing',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Dans quel cas est-il préférable d'utiliser un EQ à phase minimale\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'impact de l'EQ à phase mixte par rapport aux autres types d'EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les types d EQ à considérer selon les besoins de latence',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les EQ traditionnels se comparent-ils aux plugins modernes',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la cause potentielle de mauvaise qualité sonore lors du mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi la complexité des EQ peut-elle être déroutante pour un novice',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle vidéo est recommandée pour en savoir plus sur les EQ à phase linéaire et minimale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les principaux dangers de l'utilisation visuelle des EQ pour un débutant\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi est-il préférable de s'imposer des limitations lors de l'utilisation des EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les professionnels du son égalisent par rapport aux débutants',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.1}},\n",
       "  {'question': \"Quel est l'avantage des plugins à émulation hardware pour l'apprentissage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le Fabfilter Pro-Q peut-il être mal utilisé par les novices en mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les caractéristiques des plugins EQ à modélisation analogique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les plugins EQ imitent-ils le son analogique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages des EQ à modélisation analogique par rapport aux EQ numériques',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Qui sont les principaux acteurs du marché des plugins EQ analogiques',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi les plugins EQ colorés sont-ils préférés par certains ingénieurs du son',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les principaux avantages des plugins EQ à modélisation analogique par rapport aux EQ numériques traditionnels',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment les EQ colorés influencent-ils la couleur sonore d'un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est le rôle d'un EQ lors du processus de mastering d'une piste audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Quelles sont les marques mentionnées qui proposent des plugins EQ à modélisation analogique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il recommandé de se concentrer d'abord sur l'EQ de la DAW en tant que débutant\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les principaux objectifs d'utilisation des EQ dans la post-production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.14285714285714285,\n",
       "    'article_reciprocal_rank': 0.14285714285714285}},\n",
       "  {'question': 'Comment un EQ peut-il aider à nettoyer un enregistrement avec du bruit de fond',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il important de considérer la compétition entre différentes pistes avant d'appliquer un EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Quelle est la fonction d'un filtre High-Pass dans le traitement des pistes audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment définir la couleur sonore d'une piste lors de l'utilisation d'un EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les filtres EQ les plus utilisés et à quoi servent-ils',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment la balance tonale influence-t-elle la puissance d'un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quel est le rôle d'un analyseur fréquentiel dans le mixage audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il important d'équilibrer le spectre fréquentiel d'un enregistrement\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment un micro peut-il affecter le premier traitement EQ d'un son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les défauts critiques que les EQ peuvent corriger dans un enregistrement sonore',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le choix du microphone influence-t-il le traitement EQ d'un son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les problèmes liés à l'effet de masquage dans un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Quelles méthodes peuvent être utilisées pour résoudre le conflit de fréquences entre deux instruments',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Pourquoi est-il important de réajuster le spectre fréquentiel lors d'enregistrements amateurs\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont les différentes manières d'ajuster les niveaux des instruments dans un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'utilisation des EQ peut-elle affecter la balance tonale d'un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'impact du réglage des niveaux sur certaines parties du spectre sonore\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment les EQ peuvent-ils aider à résoudre le problème de masquage entre deux instruments',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance d'utiliser les EQ à petites doses dans le traitement du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les objectifs principaux de l'utilisation des EQ dans la production sonore\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment les EQ aident-ils à gérer le masquage entre différents instruments',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance de la définition d'un instrument dans un mixage audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'De quelle manière les basses fréquences se comportent-elles par rapport aux hautes fréquences',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment peut-on améliorer la séparation tonale entre deux instruments dans un arrangement',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les principaux objectifs de l'utilisation des EQ dans la post-production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.14285714285714285}},\n",
       "  {'question': 'Comment les basses fréquences affectent-elles la perception du son dans un espace',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi les aiguës sont-elles facilement absorbées par des obstacles dans un environnement',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment peut-on améliorer la largeur stéréo d'un mixage audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Quelle est l'importance de la différence de volume entre les instruments pour la sensation de profondeur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels sont les effets du positionnement des enceintes sur notre perception des sons',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'égalisation entre les canaux gauche et droit influence-t-elle l'image stéréo\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': \"Qu'est-ce que le mode M/S et comment est-il utilisé dans le traitement EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Comment les hautes fréquences réagissent-elles par rapport aux basses fréquences dans une réverbération',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quel est l'importance de l'amortissement dans la création d'une réverbération naturelle\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelles sont les principales raisons d'utiliser un EQ dans le traitement du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment une EQ peut-elle améliorer l'effet de reverb dans un mix\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi est-il important de réduire les hautes fréquences au cours du temps dans une réverbération',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment un EQ peut-il aider à mieux contrôler le traitement dynamique d'un compresseur\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les avantages d'utiliser un EQ en amont ou en aval d'un plugin de reverb\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les objectifs principaux de l'utilisation des EQ en post-production audio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.16666666666666666}},\n",
       "  {'question': \"Comment les EQ peuvent-ils influencer la tonalité et le timbre d'un instrument\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"En quoi l'utilisation créative des EQ peut-elle améliorer un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les différentes fréquences peuvent-elles véhiculer des émotions dans un morceau',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels instruments sont particulièrement influencés par le traitement EQ dans un mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': \"Quelle est l'importance de la balance tonale dans le traitement EQ\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment les EQ peuvent-ils affecter la couleur sonore d'un instrument\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il bénéfique d'utiliser des effets de filtrage dans un morceau\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"En quoi la modification d'un traitement EQ contribue-t-elle à maintenir de l'intérêt à l'écoute\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les différents types d'EQ et leurs applications spécifiques\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quels sont les défis rencontrés lors de la masterisation correcte d'une musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.14285714285714285,\n",
       "    'article_reciprocal_rank': 0.14285714285714285}},\n",
       "  {'question': 'Pourquoi est-il souvent préférable de déléguer le mastering à un professionnel',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels obstacles peuvent empêcher l'accès à des studios de mastering professionnels\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment l'environnement d'écoute influence-t-il la perception du son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles attentes peuvent causer de la déception lors du mixage et mastering personnel',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les caractéristiques d'un environnement d'écoute idéal pour le son\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important de maîtriser l'acoustique de sa salle de travail\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les effets d'un mauvais environnement sur le mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment positionner correctement ses enceintes pour une meilleure écoute',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Quelle est l'importance de comparer son travail dans différents lieux\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.2,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': \"Quelles sont les caractéristiques d'un environnement de travail idéal pour le mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de se reposer entre les sessions de mixage et de mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': 'Comment choisir un bon emplacement pour ses enceintes de monitoring',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les éléments à considérer lors du positionnement des enceintes dans une pièce',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi est-il essentiel d'écouter différents systèmes audio pour comparer le son final\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les meilleures pratiques pour masteriser sa propre musique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment le repos des oreilles et du cerveau aide-t-il dans le processus de mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quels outils de base sont mentionnés pour le polissage final des morceaux',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Pourquoi est-il bénéfique de déléguer le mastering à un professionnel',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles compétences sont nécessaires pour améliorer ses techniques de mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Quels sont les outils de base disponibles dans une station audionumérique pour le polissage final de la musique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les services de mastering en ligne évoluent-ils et quels sont leurs avantages',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quels sont les exemples de plugins spécialisés en mastering que l'on peut utiliser dans un home studio\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de déléguer certaines tâches dans le domaine de la musique et du mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelle est la différence entre utiliser des outils de base et des plugins spécialisés pour le mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': 'Quelles sont les étapes à suivre pour préparer une session de mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de déléguer le travail à un ingénieur en mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment choisir un studio de mastering pour sa musique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quelle précaution doit-on prendre concernant les droits sur la musique au studio de mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Que faire avant d'envoyer son mix à l'ingénieur de mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages de déléguer la mastering de sa musique à un professionnel',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important d'apporter plusieurs mixages du même morceau lors d'une session de mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment des morceaux de référence peuvent-ils aider un ingénieur de mastering à comprendre la sonorité souhaitée',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le format audio généralement requis par les studios de mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il conseillé de ne pas faire des mixages trop forts avant la mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quels sont les inconvénients associés à l'utilisation du format MP3 pour la musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de garder les pics de volume en-dessous du clipping lors du mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment l'ingénieur de mastering peut-il améliorer un morceau lors du processus de mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelles sont les précautions à prendre si l'on souhaite produire une version vinyle de sa musique\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il conseillé d'envoyer plusieurs versions de mixage à l'ingénieur de mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences fondamentales entre le mastering et le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi le mastering est-il considéré comme une étape séparée du mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le rôle du mastering dans la production musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Comment les technologies numériques ont-elles influencé le mixage et le mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de comprendre les exigences du mastering pour éviter des erreurs courantes',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences fondamentales entre le mixage et le mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important d'avoir un mixage techniquement irréprochable avant le mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quel est l'impact du headroom sur le processus de mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.3333333333333333,\n",
       "    'article_reciprocal_rank': 0.3333333333333333}},\n",
       "  {'question': 'Quels problèmes de mixage ne peuvent pas être résolus lors du mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Pourquoi le mixage et le mastering nécessitent-ils des compétences différentes',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Quelles sont les recommandations de niveau de volume pour le Master lors du mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.125}},\n",
       "  {'question': 'Pourquoi est-il important de conserver la dynamique dans le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.09090909090909091}},\n",
       "  {'question': \"Comment vérifier l'équilibre des fréquences hautes et basses dans un mixage\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quels supports d'écoute sont conseillés pour évaluer le mixage final\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'En quoi consiste la différence entre le mixage et le mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance de la séparation entre le mixage et le mastering pour la qualité sonore finale\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi est-il conseillé d'écouter le mixage dans différents endroits avant le mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Comment le fait d'avoir une paire d'oreilles différente influence le processus de mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels types de fichiers sont généralement utilisés comme format final après le mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Pourquoi est-il recommandé de faire une pause avant de commencer le processus de mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.25,\n",
       "    'article_reciprocal_rank': 0.25}},\n",
       "  {'question': 'Quelles sont les différences principales entre le mastering et le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il important de prendre une pause avant de faire le mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels outils de traitement audio sont utilisés en mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance du traitement EQ lors du mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': 'Comment une petite modification de niveau en mastering peut-elle avoir un grand impact',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences de décibel entre le mixage et le mastering pour le traitement des basses fréquences',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quel est le ratio maximum recommandé pour un compresseur en mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi est-il important d'utiliser des émulations analogiques en mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Comment les changements de EQ diffèrent-ils entre le mixage et le mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Pourquoi est-il nécessaire de revenir au mixage si un changement de plus de 3 dB est nécessaire en mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences entre le mastering et le mixage dans un studio professionnel',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Pourquoi est-il important d'utiliser des convertisseurs analogique-numérique de haute qualité en mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Quels sont les avantages des plugins d'émulation analogique dans le processus de mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Comment l'utilisation d'un EQ à phase linéaire peut-elle affecter le mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0.5,\n",
       "    'article_reciprocal_rank': 0.5}},\n",
       "  {'question': \"Pourquoi est-il conseillé d'utiliser des compresseurs multibandes avec précaution en mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les différences entre le mastering et le mixage en production musicale',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': \"Quelle est l'importance du limiteur dans le processus de mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0.2}},\n",
       "  {'question': \"Pourquoi est-il préférable d'utiliser des compresseurs multi-bandes de type linear phase en mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les avantages du format Mid/Side par rapport au format stéréo classique',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 0,\n",
       "    'article_hit@3': 0,\n",
       "    'article_hit@5': 0,\n",
       "    'article_hit@10': 0,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 0}},\n",
       "  {'question': \"Comment l'oversampling aide-t-il à réduire les artefacts en mastering\",\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 1,\n",
       "    'hit@3': 1,\n",
       "    'hit@5': 1,\n",
       "    'hit@10': 1,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 1.0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quelles sont les principales différences entre le mastering et le mixage',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  {'question': 'Quels sont les outils nécessaires pour un bon mastering',\n",
       "   'category': 'LA POST-PROD',\n",
       "   'metrics': {'hit@1': 0,\n",
       "    'hit@3': 0,\n",
       "    'hit@5': 0,\n",
       "    'hit@10': 0,\n",
       "    'article_hit@1': 1,\n",
       "    'article_hit@3': 1,\n",
       "    'article_hit@5': 1,\n",
       "    'article_hit@10': 1,\n",
       "    'reciprocal_rank': 0,\n",
       "    'article_reciprocal_rank': 1.0}},\n",
       "  ...]}"
      ]
     },
     "execution_count": 28,
     "metadata": {},
     "output_type": "execute_result"
    }
   ],
   "source": [
    "run_evaluation(ground_truth)"
   ]
  }
 ],
 "metadata": {
  "kernelspec": {
   "display_name": "AI-Powered-Knowledge-Assistant-for-Audio-P-kOHx9R9c",
   "language": "python",
   "name": "python3"
  },
  "language_info": {
   "codemirror_mode": {
    "name": "ipython",
    "version": 3
   },
   "file_extension": ".py",
   "mimetype": "text/x-python",
   "name": "python",
   "nbconvert_exporter": "python",
   "pygments_lexer": "ipython3",
   "version": "3.12.2"
  }
 },
 "nbformat": 4,
 "nbformat_minor": 5
}